「時間的橫切面」－張竣閔流行音樂之創作理念與製作分析

CCUR > College of Arts > Department of Music > Thesis > Item 987654321/48268

Please use this identifier to cite or link to this item: https://irlib.pccu.edu.tw/handle/987654321/48268

Title:	「時間的橫切面」－張竣閔流行音樂之創作理念與製作分析 “The Cross Section of Time”: The Creative Concepts and Analysis of Chun-Min Chang’s Pop Compositions
Authors:	張竣閔
Contributors:	音樂學系
Keywords:	流行音樂歌曲創作音樂產製 Popular Music Songwriting Music Production
Date:	2020
Issue Date:	2020-08-06 09:55:31 (UTC+8)
Abstract:	流行音樂，具表達當代文化思想、潮流等特性。在現代的流行歌曲產製模式裡，創作者們多將自身生命經驗融入於詞、曲作品之中，現今的音樂潮流越趨為個人經驗、情感出發之具個人風格的創作。因此，本碩士論文即以此視角，嘗試將筆者個人之生命經驗轉化，結合研究所期間習得之創作、製作技巧，衍生成《時間的橫切面》專輯。專輯概念《時間的橫切面》包含以下四首作品：〈莫比烏斯環〉表達在漫無目的之理想追尋道路中的徬徨，〈孩子以後〉表達成長的過程中，面對現實與理想折衷時的無奈，〈小壞壞〉表達當代愛情裡，對提分手的前任之愛恨交雜情緒，及專輯同名歌曲〈時間的橫切面〉表達欲在一生中，保持熾熱生命的期許。而本篇論文主要對創作理念、旋律、歌詞與編曲製作此四個面向做分析，並著重於詞、曲的呈現，進而表達出歌曲概念與詞、曲間之關係。最後，筆者期許本研究透過此四首歌曲之分析，除為有意從事流行音樂創作與製作的人，提供此流程之範本與參考外，亦使大眾了解當代歌曲創作的脈絡，進而在聆賞歌曲作品時，更加體會音樂創作者對其所賦予之意義。 Popular music has the characteristics of expressing contemporary cultural ideas and trends. In the modern production of popular music, songwriters mostly integrate their own life experience into the lyrics and melodies. And the music trend nowadays is more and more personalized creations based on the songwriter's experience and emotion. Therefore, this master thesis is based on this viewpoint, trying to combine my personal life experience with the skills of songwriting and production learned during the graduate institute to the album named "The Cross Section of Time". The album "The Cross Section of Time" contains the following four songs. First, “Mobius Band” expresses the helplessness walking in the ideal road without end. Second, “After A Boy” expresses the anxiety of facing the compromise between reality and ideal in the process of growing up. Third, “Little Bady” expresses the feeling of love and hate for the ex-boyfriend in modern love. And the last "The Cross Section of Time" with the same name as the album expresses the desire to maintain a passionate soul for a lifetime. The four aspects of a song including concept, melody, lyric, and arrangement are analyzed in the research. And it specifically focuses on the lyric and melody to reveal how the song concept could be implemented. I hope that through the analysis of these four songs, in addition to providing a template of music production for those interested in the music, it allows the public to understand the context of contemporary songwriting as well. When you listen to and appreciate the song, you will realize the meaning given by the music maker.
Appears in Collections:	[Department of Music ] Thesis

Files in This Item:

File	Description	Size	Format
index.html		0Kb	HTML	144	View/Open

View Licence

Loading...