| 摘要: | 本研究對中國國族建築形式的演變及其表現形式進行階段性分析，並以批判理論對其空間再現進行理論和經驗的討論。首先，本研究從建築形式的起源，分析建築從生存空間到社會思想觀念的形態轉變，討論國族建築形式形成的邏輯，並企圖定義建築的國族形式。隨著社會變革和社會意識形態的轉變，傳統的國族建築形式表現方式在中西方文化交融下顯現出新舊體系交融的局面。同時，形式的簡化過程中又涵蓋對內在精神的進一步追求。因此，本研究將以西方資本主義發展時期建築新思想與城市矛盾衍生的批判思想，引入中國國族建築形式演變過程的矛盾進行分析，以此來探討國族形式表達和社會意識以及國族歸屬感的關係，並尋求一個批判領域。以中國古典時期建築案例為背景，本文將國族建築形式的演化分為近代和當代兩個個階段來討論，通過對寧波保國寺、上海外灘中國銀行、蘇州博物館以及寧波博物館的國族建築進行實地調查作為實證案例，分析國族建築形式演變以及對國族形式簡化、符號化後所產生的新的國族精神內涵。本文將建築中文化內涵和形式表達的批判思考引入對中國現代國族建築的發展，企圖將西方的批判思考代入國族意象的再現，尋求一種全球在地的批判空間，希望對國族建築形式的發展和國族精神的理論研究有一定的參考和助益。
This study analyzes the evolution and manifestation of Chinese architectural forms in stages, and discusses their spatial representation theoretically and empirically with critical theory. First of all, from the origin of architectural form, this study analyzes the transformation of architectural form from living space to social ideology, discusses the logic of the formation of national architectural form, and attempts to define the national architectural form. With the social transformation and the transformation of social ideology, the traditional forms of national architecture show the integration of old and new systems under the integration of Chinese and western cultures. At the same time, the simplification of the form also covers the further pursuit of the inner spirit. Therefore, this study will take the critical thought derived from the new architectural thought and urban contradiction in the development period of western capitalism, introduce the contradiction in the evolution process of Chinese national architectural form to analyze, in order to explore the relationship between national form expression, social consciousness and national sense of belonging, and seek a critical field. In this paper, the evolution of the national architectural form can be divided into modern and contemporary two stages to discuss based on Chinese classical type, through Baoguo Temple in Ningbo, the Band of China in the bund, Shanghai, Suzhou museum and Ningbo museum field survey as the empirical case of national construction, analyses the evolution of architectural form and the national form after simplified, symbolic of new national spirit connotation. This article will architectural culture connotation and form of expression of critical thinking into the development of modern Chinese national architecture, to the west of critical thinking in the representation of national image, seek a critical space in globalization, and hope have certain reference and help to the development of national architectural form and the theory study of national spirit. |
