佛瑞《A大調給小提琴與鋼琴奏鳴曲，作品十三》之樂曲分析與演奏詮釋

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题名:	佛瑞《A大調給小提琴與鋼琴奏鳴曲，作品十三》之樂曲分析與演奏詮釋 An Analysis and Performance Interpretation of Gabriel Fauré’ s Sonata for Violin and Piano in A Major, Op. 13
作者:	劉姿君
贡献者:	音樂學系
关键词:	佛瑞小提琴奏鳴曲法國音樂
日期:	2020
上传时间:	2020-02-20 10:02:35 (UTC+8)
摘要:	夏布理埃爾‧于爾邦‧佛瑞（Gabriel Urbain Fauré, 1845-1924）是一位歷經十九世紀末浪漫時期及二十世紀初現代主義時期法國重要的作曲家。作曲方面受到路易斯‧尼德梅耶（Louis Niedermeyer, 1802-1861 ）教會音樂的薰陶及夏爾‧卡米爾‧聖桑（Charles Camille Saint-Saëns, 1835-1921）的教導下，即便當時整個歐洲音樂被華格納（Richard Wagner, 1813-1883）風潮的興起所影響，佛瑞仍堅持自己對音樂的想法，遵循既有的古典作曲技巧，並使用許多線條優美的旋律，用獨特的和聲展現最純淨的音符。在普法戰爭之後，聖桑創立了「法國國家音樂協會」（Société Nationale de Musique），並將佛瑞引薦認識協會中的聲樂家保利娜‧維爾多（Pauline Viardot, 1821-1910），而後佛瑞在西元1876年完成《A大調給小提琴與鋼琴奏鳴曲，作品十三》，而後與聲樂家保利娜‧維爾多的女兒瑪莉安‧維爾多（Marianne Viardot）訂婚，西元1878年即為佛瑞《A大調給小提琴與鋼琴奏鳴曲，作品十三》的首演，由瑪莉安的兄長保羅‧維爾多（Paul Viardot）擔任小提琴的演出，佛瑞則親自彈奏鋼琴。本論文共分五章，第一章為緒論，包含研究動機與目的及研究範圍與方法。第二章介紹十九世紀的法國歷史與音樂及佛瑞的創作背景與創作特色。第三章及第四章為《A大調給小提琴與鋼琴奏鳴曲，作品十三》的樂曲分析及樂曲詮釋。第五章為結論。 Gabriel Urbain Fauré (1845-1924) was a significant composer of Romanticism in the late 19th century and modernism in the early 20th century. Fauré was deeply influenced by church music from Louis Niedermeyer (1802-1861) and lectures from Charles Camille Saint-Saëns (1835-1921). He insisted on his points of view toward music even though the trend of Richard Wagner (1813-1883) dominated the European music at that time. Fauré abided by classical composing skills, and he used pleasant melody as well as unique harmony to demonstrate the purest music. After the Franco-Prussian War, Saint-Saëns founded Société Nationale de Musique and he recommended Fauré to a vocalist Pauline Viardot (1821-1910). Fauré finished 《Sonata for Violin and Piano in A Major, Op. 13》in 1876, followed by the engagement with Viardot’ s daughter Marianne Viardot in five years. In 1878, Fauré made his debut of 《Sonata for Violin and Piano in A Major, Op. 13》and Paul Viardot, Marianne Viardot’ s elder brother, played the violin while Fauré plays the piano in person. There are five chapters in the essay. The first chapter is introduction, which includes research motivation, purpose, and method. The second chapter introduces the history and music style of the 19th century of France as well as Fauré’ s composing backgrounds and features. The third and the forth chapters analyze and interprete 《Sonata for Violin and Piano in A Major, Op. 13》. The final chapter will be the conclusion.
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