「酸甜苦辣鹹」－洪杰音樂創作編曲技法與分析

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题名:	「酸甜苦辣鹹」－洪杰音樂創作編曲技法與分析 Suan Tien Ku La Hsian: An Analytical Study of the Creative Concepts and Arranging Techniques of Chieh Hung's Pop Compositions
作者:	洪杰
贡献者:	音樂學系
关键词:	洪杰 Chieh Hung
日期:	2020
上传时间:	2020-01-20 12:45:36 (UTC+8)
摘要:	對筆者而言，聽一首歌曲就如同品嚐一盤菜餚一樣，不同的食材組合再搭配上適當的調味料可以品嚐到不同的味覺，一套簡單的和弦搭配上旋律、歌詞再加上編曲的結合，能夠讓聽者徜徉在音樂的世界中。每首歌曲都有自己獨特的味道，一道菜的風味不會只有單一的味覺，一首歌也不會是單一的味道，人生亦是如此的多采多姿，一輩子會遇到太多的「酸甜苦辣鹹」，因此激發筆者以「酸甜苦辣鹹」為題，創作《狼狽》、《好想要告白》、《成功個頭》–系列作品，來呈現以上的創作意圖，闡述其創作理念以及編曲技法。本論文共分為三章，首先第一章在緒論中談論本論文的研究動機、研究目的與研究方法，並以「酸甜苦辣鹹」系列作品進行討論。第二章會以筆者「酸甜苦辣鹹」的三首作品–《狼狽》、《好想要告白》、《成功個頭》來討論筆者的創作理念、編曲意境及技法、歌詞故事、旋律的走向與歌唱技巧，進而論述這三首歌曲所詮釋出不同的味覺。第三章會綜合以上所的探討的三首作品的歌曲意境、演唱技法以及編曲技巧，以此為筆者往後的音樂創作的技法更加精進，也對現階段的音樂創作，做一文字紀錄，也為往後筆者的音樂創作立下基石。 To the author, listening to a song is like tasting a plate of dishes. Different combinations of ingredients and appropriate seasoning can taste different tastes. A set of simple chords with melody, lyrics, and arranger, so that the combination allows the listener to linger in the world of music. Each song has its own unique taste. The flavor of a dish will not have a single taste, nor will a song have a single taste. Life is so colorful, and you will encounter a variety of mood such as " Suan, Tian, Ku, La, Shian" inspired me to create a series of works "Broken heart", "Sweet Confession", and "Not Always Successful" which is based on the title "Suan, Tian, Ku, La, Shian" to present the above creative intentions, explain my creative ideas and arrange techniques. There are total three chapters. The first chapter is describing the research motivation, research purpose, and research method of the dissertation based on the theme which is "Suan, Tian, Ku, La, Shian". Then the three works "Broken heart", "Sweet Confession", and "Not Always Successful " of author is quoted in the second chapter which is describing the author ’s creative conception, arrangement technique, story of lyrics, melody and singing skill and it stands for "Suan, Tian, Ku, La, Shian" and further to interpret the different artistic conception by three works. In a summary, the third chapter will have a conclusion of song interpretation, singing and arrangement technique of the three works discussed above, it helps to improve and enhance the creation ability for the author's in the near future. In the same time, the author leaves a important record of music creation by the thesis and it is going to be the stepping stones of music creation in the future.
显示于类别:	[音樂學系所] 博碩士論文

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