文化大學機構典藏 CCUR:Item 987654321/45619
English  |  正體中文  |  简体中文  |  全文笔数/总笔数 : 47121/50987 (92%)
造访人次 : 13818175      在线人数 : 249
RC Version 6.0 © Powered By DSPACE, MIT. Enhanced by NTU Library IR team.
搜寻范围 查询小技巧:
  • 您可在西文检索词汇前后加上"双引号",以获取较精准的检索结果
  • 若欲以作者姓名搜寻,建议至进阶搜寻限定作者字段,可获得较完整数据
  • 进阶搜寻
    主页登入上传说明关于CCUR管理 到手机版


    jsp.display-item.identifier=請使用永久網址來引用或連結此文件: https://irlib.pccu.edu.tw/handle/987654321/45619


    题名: 二十世紀繪畫〈原始藝術〉風格研究
    A Study of Primitive Art in the 20th Century Art
    作者: 張馨芳
    贡献者: 美術學系
    关键词: 二十世紀
    原始藝術
    大自然
    圖騰
    日期: 2019
    上传时间: 2020-01-16 11:05:46 (UTC+8)
    摘要: 本研究是以二十世紀繪畫原始藝術(Primitive art)做最主軸之研究。在二十世紀的藝術史上它是非常具有藝術繪畫特色,藝術風華極度精彩的一個世紀。法國或各國的畫家受到原始藝術(Primitive art)的影響,當時擁有美術才華的人才濟濟,藝術派別爭相掘起,畫家的創作能力橫跨古今,幾乎是發光發熱風靡整個二十世紀,畫家的藝術風格截然不同於以往。
      自古藝術風格的推陳出新,對所有藝術家作品的創作思維是有著求新求變的創作精神。當印象派逐漸勢微之際,後浪又推著前浪,就這樣各種流派勢如破竹;如火如荼地登上了藝術的舞台。二十世紀藝術創作風華有著畫家的情感和心血,他們極度地表現了個人繪畫風格獨特的魅力,更有著畫家匠心獨具的靈魂之感受與思維。就在時代驅使的潮流當中,亦步亦趨,勇敢地追求創造藝術史最輝煌的成就。二十世紀嶄新的原始藝術(Primitive art)足以傲視全世界,令世人讚嘆不已。
      二十世紀的畫家各自展開了至高藝術的追求探索與實驗,當時古文明與非洲原始文物受到藝術家的青睞。異國風情的嚮往,人類原始性的本能受到激發,畫家無不卯足全力,用自己所擁有的天賦,創造了二十世紀現代藝術的風采,藝術家不但關心民情與時事,並蒐集各種原始文物之藝術精品,以畫家對大自然敏銳的觀察能力和一顆自由熱情的心扉,他們傾盡畢生之精力與豐沛之感情,創造出了屬於二十世紀特殊的嶄新原始藝術(Primitive art)現代風華。
      本文筆者研究受到原始藝術(Primitive art)影響的畫家之構思力與創造力,其如何地遵行傳統繪畫理想,如何地不墨守成規。因其中受到了萬年古代原始藝術(Primitive art)的影響;畫家們一方面效法古代的藝術典範,另一方面模仿遠古藝術文明的足跡,在時空交織錯綜複雜的藝術因果關聯中,尋求一個更臻於完美與理想之繪畫表現,企圖以特有的藝術創作來淹沒世界,並且再創造一種不同凡響偉大的繪畫風格,另闢了一條更輝煌燦爛的藝術之路。就因如此,這些畫家可以與當時強力的主流學院派 ──〈追求嚴格繪畫技巧及傳統美學理想〉,並駕齊驅、昂首立足。探究這其中緣由諸多。經由筆者研究論述,並且會從開天闢地的正宗原始藝術(Primitive art)的細節做小部分之探索;使論文在研究的過程當中,俾能明白遠古原始藝術(Primitive art)與現代嶄新的原始藝術(Primitive art)之相互關聯性和相異性,盼能了解二十世紀藝術家對即將消失的古文明和畫家對於將原始藝術(Primitive art)翻版創新,畢生所付出的極大代價。筆者期許此研究結果能得到一個更美好、完善的解析,作為後輩藝術家的參考。
    The principal axis of this research is to dig into the reconstruction of primitive art in the 20th century, when a distinguishing art of painting was developing with magnificent art. This research also studies on the original and conceptual power of the painters affected via the primitive art, focusing on how the painters followed the ideas of traditional painting, while at the same time how they painted outside the traditional box. Lots of painters possessed such artistic talent during the period, and groups of art were rising together. Their shine and fever were almost sweeping the whole 20th century. Painters on the one hand imitated the paragon of art in traditional times, and on the other hand followed the spirits of civilization of art, attempting to create a distinctive style of art and hence opening a glorious and brilliant road of art. Owing to such, these painters could keep pace with the powerful academicism which pursued strict techniques of drawing and ideas of traditional aesthetics.
      This research found out that since ancient times, advancing art styles have been benefited from creative thinking and work of art. During the recession of impressionism, up-and-coming young generation outstripped the older one, various schools of art were sweeping all over, and the prosperity of art was ascending to the stage. The magnificent creation of art in the 20th century shows painters’ meticulous concerns about the natural environment, social issues, and the personal unique in fascination. The painters have also displayed their observation, inspiration and thinking through their works, and step by step, contributed to produce an outstanding and brilliant style of art throughout their lives.
    显示于类别:[美術學系所] 博碩士論文

    文件中的档案:

    档案 描述 大小格式浏览次数
    index.html0KbHTML291检视/开启


    在CCUR中所有的数据项都受到原著作权保护.


    DSpace Software Copyright © 2002-2004  MIT &  Hewlett-Packard  /   Enhanced by   NTU Library IR team Copyright ©   - 回馈