| 題名: | 從音樂文學之鑑賞論「氣盛」
Discussion of the exuberant of ＂chi＂ through the appreciation of literature in music |
| 作者: | 張義宏(Chang, Yi-hung) |
| 貢獻者: | 中文系 |
| 關鍵詞: | 氣盛
藝術精神
音樂文學
李宗盛歌詞
Exuberant of chi
Artistic spirit
Literature in music
The lyrics written by Jonathan lee |
| 日期: | 2017-12-01 |
| 上傳時間: | 2019-12-12 11:13:17 (UTC+8) |
| 摘要: | 本文以儒家體系為始點，試圖透過「氣盛」所展現之藝術精神，置於音樂場域進行文學探勘。「氣盛」有四個要點，可針對作品（文本）整體性或局部性產出之前與後展開論述：（1）道德化之程度（2）「情」的真摯程度（3）讀者（閱聽人）之接受度（4）聲音詮釋之穩定度。文末以華人流行音樂創作者李宗盛之單曲〈山丘〉為例，透過「氣盛」得知，聲音在傳導中，有旋律之唱詞會因為沒旋律之唸詞而率先被關注。
This article is based on the system of Confucianism, try to explore the literariness by showing the Artistic spirit through the exuberant of ＂chi＂ in the music performance. There's 4 main points for the exuberant of ＂chi＂ can expand the discussion before and after the article is still ongoing or done. 1). the level of Moralization. 2). the level of sincerity. 3). the acceptance level of the listener. 4). the Interpretation of the music itself. In the end of this article has take Taiwanese musician Jonathan Lee's single- Hills as an example, derived that in the transmission of sound, lyrics with melody will have more attention than the lyrics without melody. |
| 關聯: | 中國文化大學中文學報 ； 33&34期 (2017 / 12 / 01) ， P193 - 205 |
| 顯示於類別: | [中國文學系博士班碩士班] 學報-中國文化大學中文學報
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