芙渠意象—詩情荷趣繪畫創作論述

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Title:	芙渠意象—詩情荷趣繪畫創作論述 Imagery of Lotus: Poetics and the Fun of Lotus-Discussion of Painting Creation
Authors:	張菩音
Contributors:	美術學系
Keywords:	芙渠意象詩意藝術感通
Date:	2018
Issue Date:	2019-10-29 09:55:49 (UTC+8)
Abstract:	荷花豐富了大地景致，也提供讓世界生生不息的生命養分，燦爛了人類的文明，更提升人類心靈追求的層次。詩人、藝術家們藉著荷花之美，創作詩文、藝術作品，富饒了人類的美學文化。畫與詩都是人們情感與思想的一種意象表達藝術，表現的形式雖然不同，但詩情畫意兩者之間，有著相互流通的審美特質。因此，本論文將以荷花詩詞給予的心靈感悟意象，作為繪畫創作的發想，將文學和繪畫藝術做一結合來完成此一繪畫藝術創作論文。　　本創作論述架構首先針對研究的動機與目的、研究的範圍與方法作一說明，再將荷花的文化美學內涵作一介紹，在第三章探討的是荷花在藝術中的表現，第四章則是筆者詩意荷花「芙渠意象」的繪畫創作理念及創作作品解析，第五章結論則為創作研究心得與對未來延伸創作的自我期許與展望。 Lotus enriches the landscape and provides continuous nutrient to the world, brightens human civilization, and further enhances the spiritual level that human beings pursue. Poets and artists create poem and art work through the beauty of lotus thus enrich human being’s aesthetic culture.Paintings and poemsare Imagery artistic expressions of human’s emotions and thoughts. Even though the forms of presentation are different, there is common aesthetic appreciation between poem and painting. Therefore, the study uses the imagery of spiritual inspiration given by lotus poems as the motivation of painting creation to combine literature with painting to complete the research for the art creationof painting. 　　The structure of the study starts with the explanation of research motivation, purpose, scope and method before introducing the cultural and esthetics connotation of lotus. In chapter three, it explores the presentation of lotus in art; in chapter four, the author analyzes the concept of painting and the artwork of the “imagery of lotus” for the poetic lotus done by the author; chapter five is the conclusion of the creation and research experience as well as the self-expectation and outlook for the extended creation in the future.
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