貝多芬鋼琴奏鳴曲作品五十七《熱情》之分析與詮釋

CCUR > College of Arts > Department of Music > Thesis > Item 987654321/45193

Please use this identifier to cite or link to this item: https://irlib.pccu.edu.tw/handle/987654321/45193

Title:	貝多芬鋼琴奏鳴曲作品五十七《熱情》之分析與詮釋 An Interpretive and Analytical Study ofBeethoven’s Piano Sonata, No.23, Op.57 “Appassioanta”
Authors:	洪貫倫
Contributors:	音樂學系
Keywords:	貝多芬貝多芬鋼琴奏鳴曲《熱情》奏鳴曲
Date:	2018
Issue Date:	2019-10-29 09:51:56 (UTC+8)
Abstract:	路德維希•范•貝多芬（Ludwig van Beethoven, 1770-1827）32首鋼琴奏鳴曲在鋼琴藝術史中佔有獨一無二的地位，是許多學習鋼琴的人一定會接觸到的曲目。本論文以貝多芬鋼琴奏鳴曲作品57《熱情》為研究主題，共分為五章進行研究，第一章為緒論，敘述研究動機與目的，研究範圍與方法。第二章為創作背景，整理貝多芬鋼琴奏鳴曲分期方式，根據蘭茲（W. v. Lenz, 1809-1883）提出的分期方式探討第二時期鋼琴奏鳴曲之特色，再介紹此曲的創作背景，第三及第四章分別為樂曲分析與演奏詮釋，每一節為單一樂章。第五章為結論，筆者將創作背景，樂曲分析與演奏詮釋的心得做最後整理。 Ludwig van Beethoven (1770-1827) and his 32 piano sonatas have an unique position in the history of piano composition, and are among the most common tracks that many pianists will come into contact with as they learn. This thesis takes Beethoven's Piano Sonata Op. 57 "Appassionata" as the research theme, divided into five sections. The first chapter is the introduction, describing the research motivation, purpose, scope, and method. The second chapter discusses the creative background of the sonata, sorting out Beethoven’s staging method prior to its piano sonatas. This chapter also covers the characteristics of the piano sonatas as related to the second period of Beethoven’s sonatas according to the staging method proposed by W. V. Lenz (1809-1883). The third chapter contains a musical analysis of the sonata. The fourth chapter discusses the piece’s performance interpretation. In the final chapter, conclusions are made concerning the creative background of the piece, as well as the musical analysis, and the performance interpretation.
Appears in Collections:	[Department of Music ] Thesis

Files in This Item:

File	Description	Size	Format
index.html		0Kb	HTML	188	View/Open

View Licence

Loading...