張朝柳琴協奏曲《青銅樂舞》之研究

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題名:	張朝柳琴協奏曲《青銅樂舞》之研究 An analytical study of Liuqin Concerto ： Ching Tong Yue Wu by Chang Chao
作者:	張芸溱
貢獻者:	中國音樂學系
關鍵詞:	柳琴張朝青銅樂舞壯族銅鼓
日期:	2019
上傳時間:	2019-10-29 09:09:51 (UTC+8)
摘要:	柳琴樂曲與其它樂器相較下數量較少，因此筆者認為柳琴新創作作品是不可或缺的。以新創作方面來說，曲目多元多彩，我們可藉由各地方的音樂特色及風格，去探討演奏上技法運用之迥異及影響。對於柳琴音樂演奏的提升也變得相較廣泛及多元豐富並跳脫出原本的傳統模式，展現了更寬廣的演奏空間及思維。筆者認為中國少數民族文化多彩而豐富，從運用地方文化為素材，將這些素材置入於新創作中，無論是詩詞、歌謠、器樂、舞蹈…等不僅僅只是單一性的，更能為樂曲增添色彩。本文以張朝的柳琴協奏曲《青銅樂舞》為研究題材。文中首先深入了解作曲者張朝的創作背景及壯族文化，進而分析樂曲所引用中國廣西壯族之音樂素材，最後分析《青銅樂舞》的曲式結構、演奏技法運用以及音樂內涵詮釋。 Compared to other instruments, there are less Liuqin. Therefore the author feels that innovative works are a necessity. In terms of new creative works, the songs are rich and diverse. We can utilize the characteristics and styles of music from all places to explore the differences and effects of the performance method used. In terms of the elevation of mandolin musical performances, it’s been common and diverse, diverging from the traditional method and exhibiting a greater space and thought for performance. The author feels that China’s minor ethnicities’ cultures are rich and diverse. Through the use of local culture as sources and integrating them into new works, whether it be poetry or lyrics, folk songs, instrumentals, dances, etc. not only a singular element but also adds color to the music. This focus of this paper will be on Chang Chao’s Liuqin Concerto: Ching Tong Yue Wu. The paper will first have an in-depth understanding of the composer’s creative basis and Zhuang culture. It’ll then proceed to an analysis of the utilization of Guangxi Zhuang music as a source for the song. Lastly, an analysis of the musical structure , performance method, and the conveying of the connotation of Ching Tong Yue Wu .
顯示於類別:	[中國音樂學系] 博碩士論文

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