| 摘要: | 學術研究基於承先啟後、繼往開來的旨趣，對前人相關的研究文獻資訊作適當綜合彙整，或補偏矯失、或闢蹊創新，成就其一己之研究成果，此或即學術研究之通路。本論文題為《王維詩歌藝趣研究》，對某些陳說如山水田園詩起自魏晉，王維王縉手足情深，王維不死於安史之亂為貪生所患，王維崇佛禮道而遠儒，盛唐三教興衰流變，王維詩畫合流與分流等等，本論文均有異議異解，推陳出新但亦未敢標新立異。筆者嘗自詡對唐詩研析較為偏好，曾撰唐詩析賞專欄數萬言及《唐詩新品賞》一冊問世；對若干詩歌常解誤解，如〈山居秋暝〉結聯之類，亦兀自提出新解。世有「心理時空」及「物理時空」之說，基於對王維詩歌藝趣有較多涉獵，對王維詩歌領域及特徵，乃提出「生理時空」之說。所謂「生理時空」，是指王維一生活動的空間，無非鄉里、兩京、赴蜀半途而止、短期河西邊界，南抵嶺南。如此有限的活動空間，其詩歌情趣自與浪漫詩人李白者不同。此即「生理時空」的意涵。對《輞川集》二十首，多有新解新見。管見蠡測，知無不言，言必有衷。本論文自首章起，依序論述研究動機、回顧、方法與研究內容，第二章略述王維生平事略，並略探王維生存之政治、社會與文化等時空背景，以及王維所受到樂教傳統與宗教信仰的影響，第三章概述王維詩歌意象與藝趣之特徵，並深入探討王維詩歌中別具特色的輞川詩集之藝趣特徵，第四章著重探討王維邊塞詩之藝趣表現，第五章以王維所作之親情友情詩歌為核心，觀察此類詩作之藝趣表現，討論王維與親人、友人，乃至外國友人之間的交往互動與情誼。第六章以王維關懷當代社會民生的社會諷諭詩與歲月仕隱詩為主，探討其藝趣表現。第七章總論王維山水田園詩歌藝趣。第八章探討王維對四季變化、色彩運用、聲音描述、動靜等方面的藝術表現，第九章總結王維詩歌藝趣的思想源頭及其對後世產生的文化影響，最後在第十章提出本論文的結論。謹此摘要。
The academic research is based on the purpose of inheriting the past and the future for making appropriate comprehensive reconciliation of the relevant research literature information of the predecessors, or supplementing the bias, or opening up innovations, and achieving its own research results that is the path of academic research. This thesis is entitled “Artistic Research on Wang Wei 's Poems” for some statements such as the fields and gardens poetry from the Wei and Jin Dynasties, Wang Wei and Wang Jin's brotherhood, Wang Wei’s not dying from An Lushan Rebellion for a shameful life, Wang Wei’s adoring Buddhism and Taoism but far away from Confucianism, the rise and fall of the three teachings in the prosperous Tang Dynasty, the confluence and diversion of Wang Wei’s poetry and painting and so on. The thesis has both objection and distinction that is to find new ways from old theories, rather putting forward a new ideal to make it a difference instead of ignorance and arbitrary. The thesis of author tried to express the preference for the study of Tang poetry. Once the author wrote tens of thousands of words in the newspaper about the Tang poetry and the book named “A New Taste of Tang poetry” for there is a few misunderstood for some poems, such as ‘Sleeping in the Autumn Evening in the Mountains,’ there was also with a new analying by himself. There is the theory of “Psychological time and space” and “Physical time and space” that is basing on more research on Wang Wei's poetry, and the field and characteristics of Wang Wei's poetry are therefore proposed on the theory of “Physiological time and space”. The so-called “physical time and space” refers to the space in which Wang Wei goes around in his life, such as township, the two capitals, a halfway of Shichuan, a short-term of staying in Hexi border, or towards the south to Lingnan. Such a limited time and space, his poems is different from the romantic poet Li Bai. This is the meaning of “Physiological time and space.” It is not the author's first creation. For the twenty poems of “Wang River Collection”, there are many new solutions and insights as referring the limited observation and narrow understanding, saying everything as the author knowing, or words from the heart.
From the First Chapter, this thesis discusses the research motivation, the research review, the research methods and the research contents in order. The Second Chapter outlines Wang Wei's life affairs and explores Wang Wei's time and space background in political, social and cultural living. This Chapter links Chinese poetry and music tradition to explore Wang Wei's religious poetry, too. The Third chapter summarize the artistic characteristics of Wang Wei's poems and discusses the artistic characteristics of Wang Wei's Wang River Poems. The Fourth Chapter focuses on the artistic expression of Wang Wei's frontier poetry. The Fifth Chapter focuses on Wang Wei's poetry with family and friendship. The artistic expression of poetry discusses the interaction and friendship between Wang Wei and he loved ones, friends, and even foreign friends. The Sixth Chapter focuses on Wang Wei's social satire poems in the contemporary society and the people's livelihood, and discusses his artistic performance. The Seventh Chapter is the general theory of Wang Wei's the fun in fields and gardens poetry. The Eighth Chapter discusses Wang Wei's artistic expressions on the changes of the four seasons, the use of colors, the description of sounds, the movements and so on. And the Tenth Chapter summarizes the source of Wang Wei's poetry art and its influence on later generations. Finally, the conclusions of this paper are presented in Chapter 10. Hereby the abstract is submitted. |
