| 摘要: | 京 劇 的 表 演 藝 術 主 要 透 過 語 言、文 學、音 樂、舞 蹈、武 術、 雜技等呈現，並且在劇中細膩的刻畫人物情感，表達思想。京 劇善用歌舞的形式來表演，因此注重唱詞、音律格律、講就平 仄，其語調抑揚頓挫、鏗鏘有力。因此音樂對京劇來說有其重 要地位。本文探討以京劇音樂為創作素材的箏樂作品，以王 中 山 的《 曉 霧 》和 詹 倩《 醉 京 斕 》為 研 究 對 象 。 第 一 章 為 緒 論 ， 包含研究動機與目的、研究範圍、研究方法與步驟及文獻探 討;第二章為京劇音樂風格、唱腔及美學概念的探討;第三、 四 章 分 別 為 《 曉 霧 》、《 醉 京 斕 》 的 樂 曲 分 析 以 及 京 劇 素 材 在 作 品上的運用;第五章為結論，筆者將彙整兩首箏曲中京劇音 樂 素 材 的 表 現 手 法，包 括 樂 曲 架 構，音 樂 走 向 以 及 曲 意 內 涵。
The artistic performance of Beijing opera is mainly presented through language, literature, music, dance, martial arts, acrobatics, etc. In the opera, the characters’ feelings are depicted in detail and their thoughts are expressed. The Beijing opera utilizes singing and dancing as a form of performance, therefore putting emphasis on libretto, tonality, and metrics. It pays special attention to tone pattern, its rise and fall, and is powerful. Therefore, music has an important place in Beijing opera. This paper will explore zither musical pieces that use Beijing opera music as material for creativity. The objects of the research will be Chungshan Wang’s “Hsiaowu” and Chian Chan’s “Chuijinglan”.The first section will be an introduction, including the motivation and purpose of this research, the scope of the research, research method, the steps, and exploring literature reviews. The second section will talk about Beijing opera musical styles, vocals, and exploring aesthetic concepts. The third and fourth sections will be the song analysis and the utilization of Beijing opera materials on “Hsiaowu” and “Chuijinglan”. The fifth section will be the conclusion with the author will consolidate the Beijing opera musical material performance methods in the two zither pieces, including framework of the music, the direction of the music,
and the connotation of the music. |
