德布西《貝加馬斯克組曲》樂曲分析與演奏詮釋

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Title:	德布西《貝加馬斯克組曲》樂曲分析與演奏詮釋 An Analytical and Interpretative Study of Suite Bergamasque by Claude Debussy
Authors:	徐韻涵
Contributors:	音樂學系
Keywords:	月光德布西貝加馬斯克組曲魏崙 Clair de lune Debussy Suite bergamasque Verlaine
Date:	2018
Issue Date:	2019-06-13 12:54:36 (UTC+8)
Abstract:	德布西早期受到浪漫樂派佛瑞、夏布里耶等人的影響，創作中屢屢覓得浪漫樂派的蹤跡；此時期作品中有許多規模較小的鋼琴曲，《貝加馬斯克組曲》即為德布西早期重要的鋼琴作品之一。本論文以《貝加馬斯克組曲》為研究主軸，深入探討創作與出版歷程；接著介紹該組曲中〈前奏曲〉、〈小步舞曲〉及〈巴瑟比舞曲〉的曲名緣由，並針對影響〈月光〉創作的詩詞作深入探討；此外分別將該四首樂曲進行樂曲分析與詮釋探討，詮釋方面除提供筆者詮釋觀點外，更參考《德布西回憶錄》，以及鋼琴家紀瑟金與羅傑的錄音版本，使本論文更加豐富。 Claude Debussy was influenced in his early phase by romantic composers such has Gabriel Fauré and Emmanuel Chabrier, and traits of romanticism can often be found in his works. There are many piano compositions with a smaller scale from this period. One of them is Claude Debussy’s Suite bergamasque, being one of his most significant works in his early years. This paper focuses on Suite bergamasque, discussing its work and history. It then introduces the origin of the titles ‘Prelude’, ‘Menuet’ and ’Passepied’, followed by discussing the poems that influenced the creation of ‘Clair de lune’. Furthermore, this paper analyzes and interprets these four pieces respectively. The interpretation, in addition to providing the viewpoints of the author, also references Debussy Remembered (edited by Roger Nichols) and recordings of pianists Walter Gieseking and Pascal Rogé to further complete and enrich the paper.
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