| 摘要: | 此篇論文以「蕭宛畇2018箏樂獨奏會」為研究主體，其中以音樂會中《美湖之詩》、《木卡姆散序與舞曲》、《白桐曲》、《情景三章》、《山水》、《萬座毛》、《蒼歌引》等當代的創作箏曲作為研究樂曲。然而，這七首樂曲出自不同創作者、不同的時空背景、不同的創作理念，所使用的古箏彈奏語法也不盡相同。
本論文共分為四章，第一章緒論，闡述筆者撰寫本論文之目的，並提出筆者對於當代箏樂作品之看法。第二章第一節至第七節，分別介紹樂曲的風格流派、作曲者簡介，並切入樂曲的分析及詮釋。研究中不斷發現當代箏曲，擁有特殊又具有個性的音樂形象，作曲家不僅以個人的獨特手法創作，有些甚至注入傳統的聲響及意象，此篇論文所研究之曲目皆採用不同的音樂素材，使樂曲的呈現更加豐富、多元。
第三章中，詳細記述筆者安排、準備音樂會的過程，希望藉由此次研究，更深入了解樂曲的背景、美學思想。表現筆者對於古箏樂曲獨特的音樂詮釋，也希望能盡綿薄之力，提供後進彈奏當代樂曲的演奏者參考與運用，第四章結語，以演奏者的角度總結論文。
關鍵字：《美湖之詩》、《白桐曲》、《情景三章》、《山水》、箏
The research subject for this paper is for Hsiao Wan Yun 2018 GuZheng Recital. Which includes “The Poem of the Beautiful Lake”,”Dance Music of Mu-Ka-Mu“, “Paulownia Song”,”The Three Chapters Scene”,”Landscape”,”Cape Manzamo”,”Cang Song Leadare” the ones that’ve been selected as the music researched. Furthermore, all seven pieces were created by different composers, composed at different time and location. This paper was divided into four sections. The first section, introduction, introduce the purpose of the paper, and also put forward the view of the author towards these contemporary GuZheng music scores. The second section from the 1st part to the 7th part reflected the style genre of each song, the composers and talk about the particular music score’s analysis and interpretation. During the research, the author kept finding out that the contemporary Guzheng music scores have its own unique and strong musical characteristics. Composers not only create with their own special approach but also infuse traditional sounds and imagery into their creation. The third section detailed down the author’s arrangement and preparation for the recital, to help out the study to be more in-depth with the background and aesthetic thinking for these music scores. The fourth section will be the conclusion from the performer’s point of view.
Key words: The Poem of the Beautiful Lake, Paulownia Song, The Three Chapters Scene, Landscape, zheng |
