| 摘要: | 筆者當初由於對美國抽象表現主義傑克遜•帕洛克（Jackson Pollock, 1912-1956）所創作的「滴畫」產生好奇，同時觀察到了自己在藝術創作時，藉由顏料流動的軌跡，似乎亦可與個人記憶、夢境、幻想連結在一起。總之，這些都與心理學家卡爾•古斯塔夫•榮格（Carl Gustav Jung, 1875-1961）所提出的，諸如潛意識、原型意象和心理能量等概念有關。而許多研究者在探討帕洛克時，都會提到了其藝術創作受榮格概念的影響。
筆者便以榮格原型意象和心理能量的概念作為個人創作論述的依據。整個論文研究主軸，從探究原型概念開始，且對於原型與藝術之關聯性也多加地探討。同時舉帕洛克與原型有關的繪畫為例，探討榮格「阿尼瑪」、「陰影」、「人格面具」、「自性」四大原型。最後筆者以個人和女性原始本能相關的原型繪畫之創作，在母性原型的基礎下，參雜了個人情感、記憶、與陰影有關等複合意象，將作品歸納分成上述四大原型，作為個人創作內容之說明。
個人受榮格所啟發的有：一為運用積極想像法，二為導入心理能量。在這兩個概念下來進行藝術創作，以自發性的即興創作，將它們帶入潛意識層次裡，帶出了原型的呼喚，從而開啟了意識和潛意識之間的對話，進而有了自己對自己生命的重新看見，並試圖從中找到意義與生命的完整性。筆者創作內容其原型意象，也都可以歸結在女性本能上。因此，以「女人野性本能」作為創作論述的主題。
The author was originally curious about the drip paintings created by Jackson Pollock, who is an American abstract expressionist. Meanwhile, according to the author’s observation, through the trace of the paint flow, the painting can be integrated with personnel memory, dream and fantasy. In conclusion, all of these are related with concepts put forward by the psychiatrist Carl Jung, which are related with subconscious, prototype image and psychological energy. While studying on Pollock, many researchers usually claim that his artistic creations have been influenced by Jung’s concepts.
Based on Jung’s prototype image and psychological energy, the discussion and analysis have been made on the author’s personal creation. The main axis of this thesis starts from exploring the prototype concept and discusses the relativity between prototype and art. At the same time, taking Pollock’s paintings, which are related with prototypes as examples, this thesis explores the four major prototypes of Jung’s, the “Animus”, “Shadow”, “Persona”, and “Individuation”. Finally, on the basis of mother archetype, this thesis integrates personal emotion, memory, shadow and other composite image with the prototype paintings, which are related with personal and female primitive instincts, and painting works have been classified into the aforesaid four major categories as the specification of the contents of personal creation.
Inspired by Jung, the author concludes that: firstly, the usage of positive imagination; secondly, the introduction of psychological energy. Artistic creation that has been made under the guidance of these two concepts brings spontaneous improvisation into the level of the subconscious and brings out the calling of prototype, which further launches the dialogue between consciousness and subconscious. The content and the prototype of the author’s creation content can also attribute to woman’s instinct. Therefore, this thesis takes “Woman’s Feral Instinct” as the theme of the author’s creation discussion. |
