「傳統戲曲與現代劇場的表演融合： 以首部詔安客家戲《西螺廖五房》為例」 表演暨創作理念報告

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Title:	「傳統戲曲與現代劇場的表演融合：以首部詔安客家戲《西螺廖五房》為例」表演暨創作理念報告 Performance Combination of Traditional Chinese Opera and Modern Theater: Taking the First Zhaoan Hakka Opera presented in Taiwan, Wu-Fang Liao in Xiluo, As an Example Report of Performance and Creation Concepts
Authors:	張仕勛 (CHANG,SHIH-HSUN)
Contributors:	戲劇學系
Keywords:	西螺廖五房詔安客家程式化現代戲曲演員演員養成 Wu-Fang Liao in Xiluo Zhaoan Hakka Traditional Chinese Opera Conventionalization Modern Opera Entertainers Entertainer Cultivation
Date:	2019
Issue Date:	2019-06-12 12:38:57 (UTC+8)
Abstract:	本篇「傳統戲曲與現代劇場的表演融合：以首部詔安客家戲《西螺廖五房》為例」表演暨創作理念報告，以扮演主要角色廖家興來闡述人物的變化及參與其中的排演過程加以記錄並討論。《西螺廖五房》為台灣首部詔安客家戲劇，此作品為台灣歌仔戲班劇團製作，劇中揉合傳統戲曲程式與當代音樂劇的表現；兼採戲曲武功及武術表演、新編音樂。而筆者藉由首部詔安客家戲《西螺廖五房》排練、演出紀錄，討論現代戲曲演員的養成及發展。第一章現代戲曲演員的養成，提出筆者於傳統戲曲訓練，以及現代劇場訓練、表演藝術多元的學習經歷，說明筆者表演方法融合與運用。第二章討論首部詔安客家戲《西螺廖五房》製作介紹，劇種的特殊性及舞台的語言。第三章為首部詔安客家戲《西螺廖五房》表演詮釋，提出創作廖家興的過程，透過實際排練、演出，討論表演的困難性及表演的詮釋、演員與音樂的關係。第四章結論說明此劇演出《西螺廖五房》表演收穫，思考現代戲曲演員的未來發展。 The purposes of this report of performance and creation concepts regarding ‘’Performance Combination of Traditional Chinese Opera and Modern Theater: Taking the First Zhaoan Hakka Opera presented in Taiwan, Wu-Fang Liao in Xiluo, As an Example’’ is to make a note of the character change and the rehearsal participation of opera’s main character, Wu-Fang Liao, and to hold a discussion. Wu-Fang Liao in Xiluo, composed by Taiwanese Opera Troupe, is the first opera presented in Zhaoan Hakka dialect. This opera combines styles of both traditional Chinese Opera conventionalization and modern Theater performance, consisting of dance movements, martial arts performance and music with new arrangements in Chinese opera. Whereas, the writer discussed the development and cultivation of modern Theater entertainers by focusing on the rehearsal and performance records of the first opera presented in Zhaoan Hakka dialect, Wu-Fang Liao in Xiluo. The first chapter addresses the cultivation of modern Theater entertainers and mentions the writer’s traditional Chinese opera training, modern Theater training and diverse art and performance learning experience to show the application and combination of different performances. In Chapter 2, we introduce the composition of Wu-Fang Liao in Xiluo, centering on its particularities of drama and language choice on stage. In Chapter 3, the performance interpretation of Wu-Fang Liao in Xiluo is unveiled by showing the character creation process of Chia-Hsing Liao, performing difficulties during the actual rehearsal and performance, performance interpretation as well as the relationship between entertainers and music. To conclude, Chapter 4 explains the benefits of performing this opera, giving a bright future career development for modern opera entertainers.
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