倉庫展覽空間構成與參觀者行為之研究: 以台北松山文創園區 1-5 號倉庫為例

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Title:	倉庫展覽空間構成與參觀者行為之研究: 以台北松山文創園區 1-5 號倉庫為例 A Study on Spatial Configuration and Visitor Behavior inWarehouse-Type Exhibition Space: The Case of Warehouse No.1-5 inSongshan Cultural and Creative Park
Authors:	林上竣 (LIN,SHANG-JYUN)
Contributors:	建築及都市設計學系
Keywords:	展覽松山文創園區 1-5 號倉庫尋路空間型構 Exhibition Space Syntax Songshan Cultural and Creative Park Warehouse No.1-5 Way-Finding Space Syntax
Date:	2019
Issue Date:	2019-06-12 12:20:19 (UTC+8)
Abstract:	隨著現代都市的發展與社會文明的進步，民眾對於藝文活動的需求日漸增加，而在傳統的博物館與美術館之外，近年來有許多從閒置倉庫改造而成的展覽空間，例如華山 1914 文化創意產業園區、松山文創園區、台中文化創意產業園區、駁二藝術特區等。本研究為了解這類型展覽空間的使用現況與問題，選擇以松山文創園區的 1-5 號倉庫為研究對象，探討該空間在不同展覽活動使用下如何呈現不同的空間構成，並進而影響參觀者在空間中的尋路行為。具體本研究是運用空間型構理論中的視域分析工具，將分析結果與現場之行為觀察紀錄進行比較，進而對於未來的展覽規劃提出以下建議：一、靜態與動態的展覽活動應依照其屬性差異配置於示，若有需要規畫具有封閉性較高的分區，則須考量到整體空間的視線延續性。二、由於倉庫多為狹長型空間，在展覽規劃時應避免在空間短向上配置視覺阻隔性強的元素，如不可避免，則應配合展覽主視覺來進行設計。三、觀展路徑的規劃應避免過多的折返與分岔，並於重要節點處保留足夠空間，以利人流之匯聚與發散。四、倉庫空間多方整而開闊，展覽規劃應考量高低與層次的變化，並藉由視覺焦點的設計，提供參觀者豐富而具有變化性的觀展體驗。 With the development of modern cities and civil society, the demand for arts and cultural activities is increasing. In recent years, exhibition spaces of new type are emerging in Taiwan. Being different from traditional museums and art galleries, many of them are remodeled from warehouses with historic value, such as Huashan 1914 Creative Park, Songshan Cultural and Creative Park, Taichung Cultural and Creative Industry Park, The Pier-2 Art Center, etc. In order to understand how they are used as exhibition space, this study chooses Warehouse No. 1-5 of Songshan Cultural and Creative Park as the research subject, examining their different spatial configuration under different exhibition activities. In specific, the tool of visual graph analysis (Space Syntax) is used for drawing comparison with the result of on-site observation. As a result, suggestions for future exhibition planning are proposed as follows: 1. Different exhibition activities should be placed according to their different relations with visitors. If there is a need to create an enclosed area, the visual continuity should be taken into priority consideration. 2. Because most of the warehouses are narrow and long spaces, it is necessary to avoid the elements that may create visual obstruction along the long axis. If unavoidable, the use of key visual design is of great importance. 3. Circulation should be organized to allow visitors to move freely or linger around. Unnecessary separation and dead ends should be avoided. 4. Most warehouses are in the rectangular shape with no divisional walls. The design of exhibition display should give weight to the visual relationship between the visitors and the displayed object. Factors such as height of exhibition stands, level of visual penetration, and focus of visiting experience are all relevant.
Appears in Collections:	[Department of Architecture and Urban Design & Graduate Institute of Architecture and Urban Planning ] thesis

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