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    請使用永久網址來引用或連結此文件: https://irlib.pccu.edu.tw/handle/987654321/44524


    題名: 人流群聚分析觀點下之都市開放空間構成 -以松山文創園區文化廣場為例
    Spatial Configuration of Urban Open Space from the Perspective of Space Syntax Agent-Based Analysis:The Case of Cultural Square in Songshan Cultural and Creative Park
    作者: 黎秬愷 (LI, CHU-KAI)
    貢獻者: 建築及都市設計學系
    關鍵詞: 都市開放空間
    松山文創園區
    文化廣場
    空間型構
    人流群聚分析
    Urban Space
    Songshan Culture and Creative Park
    Space Syntax
    Cultural Plaza
    Agent-Based Analysis
    日期: 2019
    上傳時間: 2019-06-12 12:15:54 (UTC+8)
    摘要: 隨著文化創意產業在全世界越來越受到重視,近年來各地也出現了許多各種不同型態的文化創意園區,並快速發展成為廣受民眾歡迎的都市開放空間。為了解這些新型態都市開放空間的使用現況與問題,本研究以松山文創園區的文化廣場為分析對象,試圖探討該開放空間在不同文創活動使用下如何呈現不同的空間構成,並進而影響參訪者在空間中的流動與群聚。本研究主要是運用空間型構理論中的人流群聚分析工具,將分析結果與現場紀錄之行為觀察記錄進行比較,進而對於未來的開放空間使用規劃提出以下建議:一、具有聚集人流效果之活動(例如表演、互動類型展覽)在配置上應避開主要動線,以增加人流群聚與發散之彈性,反之靜態類型展覽則應規劃於主要人流動線上,以增加參訪者與之交流的機會。二、視覺阻隔性元素之配置應考量參訪者行經該開放空間時的視覺軸線變化,而人流阻隔性元素則應參考既有人流動線進行配置,並使得不同屬性的活動能發揮最大人流群聚的效應。三、具有強烈軸線性的建築元素(例如舞台、展架等)考慮人流動線之方向性,並依其特性進行配置。
    With the growing public concern about the cultural and creative industries, in recent years all kinds of so-called “cultural and creative parks” have being emerging and becoming urban open space with continued popularity. In order to examine this new type of urban open space, this study takes Songshan Cultural and Creative Park as an example, exploring how its different spatial configuration under different uses and its influence on visitors’ behaviors. In specific, this study employs the tool of agent-based analysis in Space Syntax and draws comparison with the results of on-site observation. Suggestions for the use of this particular type of urban open space are proposed as follows: 1. Activities that can effectively draw visitors in (i.e., performances, interaction-based exhibition) should avoid the primary visitor flow so as to provide the visitors with choice and flexibility. In the contrary, activities of less physical interaction should be placed where visitors are most likely to pass by and see. 2. Elements that may creative visual obstruction should be organized in accordance to the change of visitors’ visual paths, while elements that may block the flow of visitors should be used as a tool for guiding the crowd. The purpose is to create a more visitor-friendly environment, despite the different natures of different activities. 3. Architectural elements with strong visual axis (i.e., stage, display stall, etc.) should be placed with a careful consideration about the directions of visitor flow. The relationship between the visitors and that particular element is equally important as well.
    顯示於類別:[建築及都市設計學系所] 博碩士論文

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