半人「愛與美」－楊繡李個人創作論述

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題名:	半人「愛與美」－楊繡李個人創作論述 Half-human “Love and Beauty” ﹣Discussion of Yang Hsiu-Li’s Personal Creation
作者:	楊繡李 (Yang, Hsiu-Li)
貢獻者:	美術學系碩士在職專班
關鍵詞:	半人愛與美象徵超現實 half-human love and beauty symbol superrealism
日期:	2019
上傳時間:	2019-06-12 11:27:55 (UTC+8)
摘要:	余秋雨曾說：「藝術，是一種把人類生態變成直覺審美形式的創造。」然而，「萬事萬物的人生化，是藝術本身的人性使命，也使不同的藝術作品具有了讓不同的接受群體一起投入體驗的可能。」誠上所言，藝術家提煉出人類情感的題材，就必須受到「人生」的滋育，將世上萬物的藝術形式都囊括在人生縮影中，才能讓接受者品嚐到人生況味的藝術作品。筆者在這次的創作研究主要著重於人生的探索動能，藉由《半人－愛與美》來隱喻現代人的心靈處境。筆者透過柏拉圖「愛的精神」作為本創作的核心思想與理論基礎─因為愛的動力與熱情，讓生命不斷的自我創造，才能得以自我突破和超越。藉著象徵、超現實、創作分析，探討自我繪畫創作風格形成之來源與過程，並深入解析如何透過創作的行為來達成對愛與美的探索。　　「半人」成了筆者創作表達感情的具體形象，以愛與美和現實的感知相互交融，提煉出創作的風格。希望藉此創作能敲開人們心靈的桎梏，重新審思與建構生命存在的嶄新價值與意義。　　Yu Qiuyu once stated that, “art is a creation which turns human ecology into instinctive aesthetics”. Nevertheless, “the humanization of myriad things is a humanized mission of art itself, which also makes it possible to enable different groups to jointly experience various artistic works”. Before extracting the theme regarding human emotions as mentioned above, artists have to experience joys and sorrows of life and involve artistic forms of myriad things of the world in microcosm of life, so as to facilitate receivers to appreciate artistic works being filled with ups and downs of life. In the creative research, the author mainly focuses on explor.atory motivations of life and utilizes Half-human “ Love and Beauty ”to imply modern people’s mental state. The author takes “Plato’s philosophy on love” as the core idea and theoretical basis of this work, for the reason that only impetus and passion of love could propel unceasing self-creation of life and facilitate breakthrough and transcendence of oneself. In virtue of symbols, superrealism and creation analysis, the author discusses sources and processes concerning the formation of painting and creation styles, and deeply analyzes the way to realize exploration of love and beauty through creation. 　　As a consequence,Half-human becomes a specific image for the author to express emotions in works. By the mutual integration between love and beauty and perception of reality, the author then extracts creation styles. It is expected that the creation could smash people’s spiritual shackles and enable them to ponder over and build new values and meanings for existence of life again.
顯示於類別:	[美術學系所] 博碩士論文

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