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    請使用永久網址來引用或連結此文件: https://irlib.pccu.edu.tw/handle/987654321/44381


    題名: 《藍花花敘事曲》作品探討與演奏詮釋
    The Explore and Interpretation of "Lan Hua Hua"
    作者: 洪瑋廷 (HUNG,WEI-TING)
    貢獻者: 中國音樂學系
    關鍵詞: 二胡
    Erhu
    日期: 2018
    上傳時間: 2019-05-31 12:20:08 (UTC+8)
    摘要: 民間音樂可以說是來自社會中民間的聲音,它不具有作秀的性質卻是最能投射出人生百態並最能體現出生命強度的音樂,不同地域的民歌有著不同的風格,區別出這些不同風格的因素可能來自地理環境、人文歷史、語言、經濟因素甚至宗教等。
    在眾多的二胡作品中有多部分的作品都是取自於中國民歌的題材與動機,作曲家之所以常利用中國民歌作為素材是因為「民歌」可抒發出人民的內在心聲,選用民歌素材套在器樂曲上是最能直接表達出樂曲情感的,有時甚至不需要太多華麗而複雜的作曲手法就能讓聽者很快的進入樂曲情境中。
    從中國人的語言可以發現中國的語言較屬於線性式的,民歌的歌唱線條與胡琴的演奏詮釋方式都和中國的語言有所相似,都較屬於線性思維,所以胡琴在表達民歌素材的相關作品時會比點狀的樂器來得得心應手,並且詮釋手法與情感更加貼切。
    本次研究論文《藍花花敘事曲》是在眾多胡琴作品中被視為一首經典而指標性強的曲目,此首作品是選自於陝北信天游《藍花花》,信天游又名順天游,為陝北民歌中最常見的一種體裁形式,由於受到地形影響信天游較偏於一種山歌體,陝北人民常透過信天游的演唱來抒發出自己內心的情感,信天游的演唱較為高亢,並不受任何主題與曲調的限制,民歌《藍花花》就利用了這些特點套進了悲慘的逼婚故事來唱出這唯美動聽的陝北信天游旋律。研究方式筆者透過資料蒐集、電影觀賞、樂曲分析、樂曲詮釋等來完成此次研究。
    本論文共分為六章,分別為緒論、陝北民歌概論、作曲家生平與作品、秦派二胡、《藍花花敘事曲》樂曲分析與演奏詮釋以及結論。
    It could be said that folk music comes from the people. This genre of music is often a reflection of the local communities. From this music, we often see the life of those who resonate with it. The style of the folk music is contingent on where it has originated; different areas with different histories, traditions, language, religions, and economic statuses result in a multitude of folk music styles.
    Many of the Erhu compositions draw inspiration from Chinese folk music. It’s one of the most direct genres of music in terms of resonating with its people. Folk music aims to reach the hearts of the people using the simplest and most direct way. Often times, the audiences don’t require elaborate ensemble-like music compositions to feel the music.
    As the Chinese language is a more linear language, one may come to realize that the Chinese folk songs are more linear in composition and performance. With only two strings, the music appears to be more direct than many others.
    The Lan Hua Hua Ballad in this thesis is one of the most iconic Erhu pieces. This song comes from the Xiabei Xin Tian You’s Lan Hua Hua series. Xin Tian You, otherwise known as Shun Tian You, is a type of Mountain Song. Xin Tian You is affected by the mountainous regions of Xiabei. Similar to other Mountain Songs, Xin Tian You’s performance style is more emotionally charged and is not limited to one single major key or theme. The folk song Lang Hua Hua incorporated these unique attributes to depict a tragedy of a forced marriage in its beautiful Xin Tian You melody. The author used information gathering from a variety of sources, movies, musical performance pieces to complete this thesis.
    This thesis will be broken into six parts as follows: Introduction, Overview of Xiabei Folk Song, Composer biography and works, The Qin School Erhu, Lan Hua Hua Ballad performance analysis and conclusion.
    顯示於類別:[中國音樂學系] 博碩士論文

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