嗩吶協奏曲《霸王別姬》與《遊子吟》之樂曲分析與演奏詮釋

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Title:	嗩吶協奏曲《霸王別姬》與《遊子吟》之樂曲分析與演奏詮釋 An Interpretations and Analysis of Souna Concerti Farewell My Concubine and Song of a Traveling Son
Authors:	蔡承儒 (TSAI,CHENG-RU)
Contributors:	中國音樂學系
Keywords:	霸王別姬 Farewell My Concubine
Date:	2018
Issue Date:	2019-05-15 11:32:12 (UTC+8)
Abstract:	嗩吶協奏曲《霸王別姬》於1989年由中央音樂學院青年民族樂團委任創作，該樂曲是根據同名歷史故事而作，較為特別的是該樂曲旋律動機採用國粹「京劇」的元素，並在其中融入西方音樂的寫作手法創作而成，這種創作思路與作曲手法極具有當代氣息又不失傳統色彩；《遊子吟》是根據《唐詩三百首》中孟郊所著的《遊子吟》同名創作而來，由中華國樂團與嗩吶演奏家林子由於2010年共同委託創作。該首嗩吶協奏曲以母愛做為樂曲創作的出發點，藉由遊子感恩的心，來表達母愛的偉大。全曲表達給聽者的除了音樂上的表現力外，更是一幅溫暖的畫面。筆者將透過樂曲背景進行初步分析，並於文中淺談《霸王別姬》中所採用的「京劇」元素，同時進行歷史背景、音樂理論、文化意涵等方向深入分析作曲家於創作過程中所運用的素材及手法，及從不同面向對《霸王別姬》、《遊子吟》兩曲進行更深入的了解，希望能幫助演奏者及聽者在整體文化脈絡中更加認識樂曲所要傳達的意境，進而發現更多元而豐富的藝術價值與文化內涵。 The suona concerto "Farewell my Concubine" is a commissioned work created in 1989 by the Central Conservatory Chinese Orchestra (CCCO) based on a renowned Chinese historical story of the same name. The melody is a unique combination of Chinese and Western music, with inspirations from the quintessence of "Peking Opera" elements merged with Western classical music, creating a fusion of contemporary music with the spirit of traditional art. The "Song of a Traveling Son" suona concerto, commissioned by ZhongHua Chinese Orchestra and suona performer Tzu-You Lin in 2010, is based on a poem of the same name written by Meng Jiao in the anthology "Three Hundred Tang Poems". The theme of this piece is centered on maternal love, praising the timeless motherly love through a traveling son's grateful heart. The whole performance demonstrates great bravura, and in addition, paints a blissful picture of coziness and warmth for the audience. With brief music background analysis, the author will discuss in the article about the "Peking Opera" elements instrumented in the "Farewell my Concubine" concerto. Then, from various perspectives, such as history, music theory, culture implications, etc., the author will explore the various techniques and elements used in the creations of "Farewell my Concubine" and "Song of a Traveling Son", to help performers and audiences to fully appreciate the essence of these pieces, their roles in passing down the cultural heritage, and then further discover the dynamics and richness of their artistic value and cultural content.
Appears in Collections:	[Department of Chinese Music ] Thesis

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