浦朗克《大提琴奏鳴曲，作品143》 之詮釋與分析

CCUR > College of Arts > Department of Music > Thesis > Item 987654321/40870

Please use this identifier to cite or link to this item: https://irlib.pccu.edu.tw/handle/987654321/40870

Title:	浦朗克《大提琴奏鳴曲，作品143》之詮釋與分析 An Analysis and Interpretation of Francis Poulenc’s Cello Sonata, Op.143
Authors:	林千卉
Contributors:	音樂學系
Keywords:	浦朗克大提琴奏鳴曲 Francis Poulenc Cello Sonata
Date:	2018
Issue Date:	2018-10-26 10:16:20 (UTC+8)
Abstract:	浦朗克(Francis Poulenc, 1899-1963)為二十世紀法國作曲家。一生中所創作的作品相當豐富多元，有芭蕾舞劇、合唱曲、鋼琴獨奏曲、歌劇等，但浦朗克一生給弦樂的室內樂作品只有一首大提琴獨奏和一首小提琴獨奏，則本文所要探討的大提琴奏鳴曲為浦朗克晚期的作品。本論文藉由第一章緒論，研究動機及目的，第二章浦朗克音樂風格，從浦朗克所處的時代背景，法國六人組的組成，新古典主義的誕生，及其一生中所創作唯一的一首大提琴奏鳴曲的背景動機，第三章樂曲分析與相關書籍文獻做連結，探討本首作品的創作手法及特色，第四章樂曲詮釋，藉由先前的資料了解浦朗克，進而加入個人見解，第五章為全文結語心得。 Francis Poulenc (1899-1963) was a highly accomplished French composer of 20th century. Although his compositions include ballets, choral, solo piano works, and operas, only two strings music were completed throughout his lifetime: his Cello Sonata and Violin Sonata. The thesis will focus on Poulenc’s Sonata for cello and piano. The first chapter aims at the motive of the research. Important influences on Poulenc’s musical style are analyzed in Chapter 2, based on his background factors: Lex Six and Neoclassicism; followed by his motive of composing Cello Sonata. Chapter 3 addresses his compositional technique and its distinctive features. The last two chapters will provide both the listener and the performer with a more informed and nuanced understanding of this work and Poulenc’s musical style as a whole.
Appears in Collections:	[Department of Music ] Thesis

Files in This Item:

File	Description	Size	Format
index.html		0Kb	HTML	211	View/Open

View Licence

Loading...