胡麥爾是一位古典後期及浪漫初期的重要作曲家，他的音樂創作以鋼琴為中心，也在弦樂作品上有許多貢獻。
由於在國內的論文中對於研究胡麥爾的資訊較少，在弦樂上鮮少看過有人提到胡麥爾中提琴奏鳴曲的相關資訊，因此，筆者希望藉由本研究能了解樂曲的結構分析，以及如何運用素材來想像音樂的旋律線條，增進筆者在演奏之中表現出更加有旋律線條的音樂性。
本文藉由樂曲分析與詮釋，提供給中提琴的演奏者更加了解胡麥爾在弦樂方面創作的音樂特色與背景，也更能清楚於此曲的創作動機及概念。
As one of the most important composers overlapping the classical and romantic periods, Hummel’s compositions are mostly piano-related. However, he also made some contribution to the string repertoire.
In Taiwan, there is not much research regarding Hummel and his string music. By pursuing this study, the author hopes to gain better understanding towards the structural design of the music and to have more imagination in performing the music.
With this essay, the author hopes to provide future performers and students more comprehensive information about Hummel’s music and his life.
