藝術，是人類心靈的軌跡，也是一種歷史文化型態的呈現，透過文學詩歌、音樂、舞蹈、美術等不同的形式，把人們的夢想、囈語、憂傷與喜悅等一一表達出來。這些最接近人類本質的記錄，因此得以穿越時空而流傳了下來。
著眼於藝術中最璀璨的精靈，也是藝術創作中最終的文本「情感」；筆者嘗試著從中國美學中的「詩歌美學」為基礎，研究文學作品中唐詩、宋詞的美感思維與象徵意涵。凝視中國詩詞裡「情動為志」的審美意識；再以羅蘭‧巴特「符號學」的觀點，重新思考與解構，讓創作出來的符號，進入一個新的視角和表現。
本創作研究，主張「情感」是一切創作的源頭，進而以東西文學為思想腹地，來探尋人們內在的世界，這將會是一片值得耕耘與創造的桃花源。
Art is not only the trajectory of human mind, but also a kind of historical cultural style. It is generally present dream, raving, sadness, happiness, and other senses by poetry literature music, dance, art and other different types.They are the records that are closet to the human nature, so they can be handed down through the veil of time.
Art is focused on the most brilliant art spirit, which is also the final version - sense of the artistic creation. Based on the poetry aesthetics of Chinese aesthetics, writers search for the The aesthetic thinking and symbolic meaning of Tang and Song poetry . And then from the aesthetic consciousness of Chinese poetry aspirations within sentiments and the semeiology of Roland Barth, writers re-think and deconstruct to create a new perspective and performance to analyze the new symbols.
The study advocates that sense is the source of all creation, and then enters the inner world of Literature East and West to explore the inner wold of human. It will be an Utopia which is worth cultivating and creating.
