劇場形式之擊樂作品中的表現元素以擊樂作品《歪詩》、《遇見》為例

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题名:	劇場形式之擊樂作品中的表現元素以擊樂作品《歪詩》、《遇見》為例 The Expression Elements of Percussion Music TheaterIn the Cases of Graffitis, Encounter.
作者:	柯元富
贡献者:	中國音樂學系
关键词:	表現元素打擊樂劇場形式擊樂作品喬治・阿貝爾吉斯王小尹王樂倫《歪詩》《遇見》 manifestation element percussion theater style musical composition Georges Aperghis WANG,HSIAO-YiIN WANG,LO-LUNG Graffitis Encounter
日期:	2018
上传时间:	2018-05-04 11:27:42 (UTC+8)
摘要:	現今表演藝術的表現形式以不同藝術媒材之跨領域結合為趨勢，而東西方打擊樂器種類豐富，相互組合產生出豐富的音樂語彙，使當代擊樂作品的表達元素越來越多元並持續發展中。而此次研究主題為「劇場形式音樂作品」中之「表現元素」探討，並以兩首擊樂作品為例，分別為法國作曲家喬治・阿貝爾吉斯（Georges Aperghis）之《歪詩》、臺灣作曲家王樂倫之《遇見》。本文共分緒論及三個章節而後結論：緒論中探討研究動機與目的、內容與文獻回顧、研究方法；第一章為表現元素之研究；第二、三章為樂曲《歪詩》、《遇見》之樂曲分析與詮釋，以上章節包含作曲家背景及曲意解說，最後為結論。筆者透過樂曲架構分析，從中了解劇場形式音樂作品之寫作手法，以及表現元素在二首作品中的呈現運用，使演奏者在劇場形式之作品中，表達樂曲的技巧有更好的掌握，期望從樂曲中各種角度及面向的闡述與詮釋，可以提供對這些作品有興趣的演奏者及擊樂創作的作曲家參考。關鍵詞：表現元素、打擊樂、擊樂劇場、劇場形式、擊樂作品、《歪詩》、《遇見》、喬治・阿貝爾吉斯、王小尹、王樂倫。 There are variety of percussion instrument. Nowadays, the performing art of percussion instrument has become a media and material for cross-domain, and it is also an obvious trend. The match of eastern and western percussion has also created plentiful of new musical vocabulary, and it is continuously develop in contemporary musical composition. My thesis will be focus on the ‘manifestation element’ in theater style musical composition through Graffitis (Georges Aperghis) and Encounter (Lo-Lung Wang). My thesis will be divided into introduction, three chapter and conclusion. My research motive, method, details and document review are included in the introduction. The first chapter will be focus on the research of ‘manifestation element’. The second and third chapter will be the analysis and annotation of Graffitis and Encounter. These chapters also including the introduction of composer and significance of the musical composition. The conclusion will be the last chapter. By analyzing the structure of the this two composition, I’m going to investigate and find out the theater style composing and the usage of ‘manifestation element’ in this two music pieces, and this will help me to master them. Sincerely hope that this research could be a reference for academic and performer in future. Key word：Graffitis; Georges Aperghis; Encounter;Lo-Lung Wang; percussion ; theater style musical composition; ‘manifestation element’.
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