本文討論範圍即筆者 「蒙太奇」系列作品的創作理念與技法分析。
第一章在緒論中闡述「蒙太奇」這套作品的創作起源以及理念，並提出相關文獻以探討所應用的技巧和理論，達到學術研究之目的。
第二章筆者探討作曲與數位編曲的技法與安排，並闡述筆者求學時的經歷與創作心得，接著研究作曲與不同風格的配器搭配與運用，並探討與分析各類曲風的重要構成元素，由於使用編曲軟體進行創作、數位編曲使用虛擬樂器已成為普遍的主流趨勢，筆者將會記錄使用的軟體音源以及效果器的設定參數於本文中。
第三章為結論是筆者對於「蒙太奇」音樂作品創作與分析的心得與未來的期許。
關鍵字：陳昭宇、「蒙太奇」、數位音樂、虛擬樂器
This paper discusses the creative ideas of author’s “Montage”series works and the analysis of techniques.
In the introduction in the first chapter, the ideas behind the creation of the “Montage”series of works are outlined. To achieve the academic research purposes, relevant literature exploring the applied techniques and theories is presented.
The second chapter explores the techniques and arrangements of the composer and digital arranger. Further, it elaborates on the experiences and creative knowledge gained by the author. This is followed by the author’s exploration of the instrumentation and orchestration of various styles of instruments. The essential constituent elements of different musical genres are explored and analyzed. Since digital arrangement software was used to create the works, and digital arrangement using virtual music instruments has become popular, the sources of the sounds and settings of the effects used will be recorded in this paper.
The third chapter concludes with the knowledge gained and expectations of the author with regard to the creation and analysis of musical works in the “Montage”series.
Key word: Chao-Yu Chen、Montage、Digital Music、Virtual instruments
