世界一分一秒隨著天氣、地震瞬息萬變，天災人禍人為的因素而改變。從中國藝術風格吸 取其精華，發揚在西畫形式的範疇。自己對有感覺的人、事、物或風景或花卉，甚至是古蹟，加以描繪並表現之。
繪畫的目的，東方的詩意遇上西方的抽象主義，繪畫的心理學探討，何謂畫進去，而不是表象？
研究西方的梵谷，東方台灣的陳澄波、郭柏川，日本的梅原龍三郎。梅原龍三郎與郭柏川之比較。
歷史研究方法收集相關歷史資料及分析提獨有的創作背景。學理分析法：整理與研究有關主題文獻和論證，討論藝術的觀念和方向，融入創作的論述。綜合歸納法：視覺心理學、文學、美學為輔助，並以創作的發展為主軸。新時代文化得以傳承，創作的生命能有永續獨特的價值。東方為體，西方為用。期望自己藝術創作的理念更加精進。
The world is changing rapidly with the weather, the earthquakes, natural and man-made disasters. All these changes inspire the spirit of Chinese art as well as western paintings which further influence my personal style of painting. My specific interests in painting objects are people, different kinds of things that arose my attention, flowers, landscapes ,and historic spots etc.
What is the purpose of painting? What would happen when eastern poetic painting style encounters western abstractionism? How to discover the psychology of painting? How to grab the depth of the painting spirit rather than the appearance?
They are all very important when we want to advance our painting skills.
I will also study Van Gogh, Chen Cheng-bo ,Guo Bo-chuan, and Japan's Mei Long Saburo, and make a comparison between Mei Long Saburo and Guo Bo-chuan.
I will use historical research methods to collect relevant historical data and analyze their uniquely creative background. And by using theoretical analysis methods to collect the related research materials and argumentation, and to discuss the concept of art and direction which blend into their creation. By using comprehensive induction methods to help understand their visual psychology, literature, and aesthetics in their paintings. All these methods will follow the development of their creation as the main axis.
I think that when western art meets eastern art, unique and sustainable value appears.
I hope all these approaches and research can help advance my artistic creation.
