| 摘要: | 2016年研究者參與三十舞蹈劇場年度製作「所在—人與偶奇特的幻化空間」，在排練的歷程中經歷了家人的逝世與家中的重大變革，面對生命中的衝擊以及舞作給予的挑戰、角色帶給的共鳴與衝突下陷入了對於自我的質疑，在框架條約壓迫的同時，進而想尋求出口與認同，藉此得到安心與喘息。
研究者經廣泛的資料收集與閱讀後，試想透過存在主義去尋求解答，並以齊克果（Soren Kierkegaard，1813—1855）所提出的「存在是內心體驗以後的生活」為本論文思考核心，藉由解構現代舞作品「所在—人與偶奇特的幻化空間」，同時透過角色來解析自我，在吻合、衝突、險境的一連串的抽絲剝繭的探尋歷程中，反觀思索自己與存在主義的關聯性，以此尋找自身在舞蹈裡亦或是生命中存在的意義與價值。
Due to the character played by himself in annual project “The Place: a Puppet, a Closet, a Fantasy” by Sun Shier dance theatre in 2016, describing his self-interpretation and process in this dance piece, has experienced in family member's passing away and family's significant transformation in the rehearsal course, the sympathetic chord and the conflict which does facing the life in impact as well as the dance which gave the challenge, the role takes undercuts into regarding the self-question, while frame treaty oppression, then wanted to seek the exportation and the approval, took advantage of this obtains relieved and the respite.
The researcher after the widespread acquisition of information and reading, considers by Kierkegaard “Existence is the life experienced through heart’’ (Soren Kierkegaard,1813-1855) for the present paper ponder core, because of sets at variance the modern dance piece “The Place: a Puppet, a Closet, a Fantasy”, simultaneously penetrates the role to analyze, in tallies, the conflict, the dangerous situation a succession of wiredrawing exhausted cocoon inquired about in the course, the counter-view thinks deeply about oneself with the existentialism relatedness, seeks oneself by this the significance and the value which also perhaps in the life exists in the dance. |
