摘要: | 本研究分為兩個面向,第一部分為研究色彩表現在電影中的效果,第二部分為電影內容的創作,作者藉由創作電影《沒母親節》來探討並驗證色彩效果對觀影感受的影響。
《沒母親節》是一部改編自作者與母親生命的真實故事,當中探討親情與死亡的議題,結合了紀錄片、劇情片、Vlog影片和紀錄劇的形式,以傳遞影片的精神、教誨、省思與愛。
而色彩是用來傳達故事的媒介之一,《沒母親節》中傳達的氛圍和意境最適合透過色彩來表現,因此使用Blackmagic Production Cinema 4K攝影機進行拍攝,並使用DaVinci Resolve 12進行色彩調整,在不同的橋段嘗試調整不同色相、反差、飽和度創造相異的色彩調性,以符合角色和劇情的情境,同時實驗不同的色彩表現方法,來找到最有力道且更貼近作者想法的呈現方式。
《沒母親節》以「生、病、死、精神」為架構,創建不同的色彩風格,來描繪主角在劇中面對生命不同階段的心境與轉折,不同階段設計不同色相、反差與飽和度,並製作兩支不同色彩表現手法的影片使用問卷進行實驗,使用成對樣本T檢定檢驗不一樣的色彩表現的方式,能否凸顯欲帶給觀眾的感受,在「生」的階段表現「快樂」;於「病」的階段表現「悲傷」、「沉重」、「沮喪」;在「死」的階段表現「懊悔」、「痛苦」;於「精神」階段表現「愛」、「喜悅」、「希望」、「感動」、「懷念」。
研究結果顯示「悲傷」、「沉重」、「沮喪」、「喜悅」、「感動」和「痛苦」在兩種色彩表現影片比對下達顯著效果,結果符合《沒母親節》影片中所呈現笑中帶淚調性,代表色彩的表現確實對觀影感受有顯著的影響力,若能設計更細膩、多層次與變化的色彩表現方式,必然能為電影帶來更開闊且嶄新的視野。
This research includes two parts. The first is to study how color expression affects the film, and the second is actually creating a movie. The author explores discusses and verifies how color expression could affect viewers’ feeling through the film - No Mother’s Day.
No Mother’s Day is a film which originated from the real life of the author and his mother. It discusses the issues of familial affection and death, presenting the spirit, love, and the lessons learned by using a combination of documentary, drama, video blog and docudrama.
Color expression is one of the media for storytelling, and it’s also the most important technique used to shape up No Mother’s Day’s atmosphere and artistic conception in this work. Meanwhile, No Mother’s Day was filmed with Blackmagic Cinema 4K. With DaVinci Resolve 12 for color grading, the hue, contrast, and saturation were tuned in different sections, with the aim of presenting the difference of color tonality in correspondence to the characters and plot. The adjustments mentioned above can also be seen as an experiment of color expression, which enables the plot approach to the author’s thought.
No Mother’s Day used “birth, illness, death, and spirit” as the themes of the story, and created different color expression styles to depict the main character’s alteration of mental conditions when facing different stages of life. In different stages of the story, distinct hues, contrast and saturation were used, and two different versions of No Mother’s Day were made in order to compare them with questionnaires. Sample t test was used to examine the different ways of color expression, seeing if the color expression could emphasize the feeling which the author wanted to convey to the viewers: showing ”happiness” in “birth”; showing “sadness”, “heaviness” and “depression” in “illness”; showing “regret” and “pain” in “death”; showing “love”, “joy”, “hope”, “tenderness”, and “memory” in “spirit”.
The research results showed that the ‘’sadness’’, ‘’heaviness’’, ‘’depression’’, ‘’joy’’, ‘’tenderness‘’ and ‘’pain’’ were obvious by comparing the two versions of films. It also corresponded to No Mother’s Day’s theme which could incite laughter and tears. This result confirms that color expression indeed affected the viewers’ feelings a lot. If designed the color expression in more intricate, multi-level, and varied way, this will definitely widen the horizons and give new vision to films. |