五四文學以來，始意識到「人」的自覺，胡也頻短篇小說以書寫「底層階級」作為覺醒的回應，題材多旋繞於「底層人物」，其中以經常被邊緣化的「底層女性」描寫最為特出。本文以此作為詮釋視角，首先探析底層女性居於家庭或社會的處境，以原生與婚姻家庭的壓抑、傳統與動亂社會的壓迫，理解底層女性之於小說與現實的連結。其次，關於底層女性形象的塑造，分為女性身體的觀看或對待，與女性情感的漠視或貶抑，理解其苦悶沉鬱。最末，關於底層女性意識的刻畫，多為相信宿命的命運意識，或自卑馴化的弱者意識，均以小說人物哭訴時代悲歌。本文揀擇底層女性作為詮釋路徑，為之發聲，跳脫其被漠視化、禁語化的窠臼，形構胡也頻短篇小說底層女性敘事全貌。
Ever since the May Fourth Movement, the public have started to be aware of the self-consciousness of ＂people.＂ Hu Yepin's short stories wrote ＂subaltern class＂ to respond to this trend, and the themes mainly revolved around ＂figures of subaltern class.＂ The descriptions on ＂women of subaltern class＂ who were marginalized were most outstanding. First, this study used ＂women of subaltern class＂ as the interpretation perspective to investigate the descriptions on family or social situations of women of subaltern class, and understood the connection between short stories and reality from the repression of native and marital families and oppression of traditional and disordered society. Secondly, the image of women of subaltern class was divided into specific observation or treatment of women's bodies and abstract indifference or depreciation of women's emotions to understand their agony and depression. Lastly, this study analyzed the descriptions on consciousness of women of subaltern class , and found that they mainly believed in fate or developed the consciousness of inferiority and domestication of the weak, which was actually a tragedy caused by time. This study selected women of subaltern class as the interpretation path, and spoke for them to enable them to escape from the restraint of indifference and verbal expression, as well as to construct the complete picture of narratives of women of subaltern class in Hu Yepin's short stories.
