| 摘要: | 《守護者》（Watchman）是《時代雜誌》2005 年評選1923 年至今百部最佳 英文小說、是目前唯一得到世界科幻協會（The World Science Fiction Society）雨 果獎的圖像小說，也是圖像小說最重要的三部早期經典之一。作者亞倫‧摩爾 （Alan Moore）為八零年代引領美國漫畫的重要人物，而繪者戴夫‧吉本斯（Dave Gibbons）於1982 年開始為DC 漫畫工作，並承擔許多主要角色的繪製。本計劃 主要探討《守護者》圖像小說之漫畫敘事，與改編成電影在敘事上的差異與整體 敘事效果，以提里‧格容斯帝恩（Thierry Groensteen）的《漫畫系統》（The System of Comics），以及他與安‧米勒（Ann Miller）合著的《漫畫與敘事》（Comic and Narration）為基礎從敘事學的角度切入，如敘述者的表現形式、敘事中介材料（畫 面、詞語、聲音等）、敘述層次、敘事時間性、觀點等，探討《守護者》原著漫 畫與電影改編的異同與跨媒體敘事效益。
According to TIME Magazine, Watchmen is one of the best English-language novels published since 1923, and it is the only graphic novel to have received the Hugo Award, which is presented by the World Science Fiction Society. The Watchmen is one of the three early classic graphic novels. The author, Alan Moore, was an important writer of mainstream American comics in the eighties, and the illustrator, Dave Gibbons, who began working for DC comics in 1982, was responsible for drawing many key characters. This project explores the comic narrative of the graphic novel Watchmen, overall differences between the narrative and film adaptation, and general narrative effect. From a narrative point of view, we adopted Thierry Groensteen’s The System of Comics and Comics and Narration, which is coauthored by Ann Miller, as a theoretical foundation. Throughout the project, we explored the narrative from various aspects, such as the narrator’s form of expression, narrative materials (such as images, words, and sounds) for detailing different stages of the story, timing, and points of view. The purpose of the project was to explore the similarities and differences in Watchmen between the original comics and adapted film, as well as describing the benefits of cross-media narratives |
