| 摘要: | 本論文的研究主要著眼於我們生於斯，長於斯的美麗之島-台灣，從原始的海洋土地轉進到今日的文明社會，對於期間所帶來的文化衝擊與文明的喟嘆。台灣曾經被諸多國家殖民過的地區，大眾流行文化也是一直由外界轉進，但對於外來文化常流於只是單純的模仿與盲從而已，欠缺深層的文化反省與批判，而且在面對這大量的資訊衝擊與資本主義下，人們的生活也深受影響，不少人沒有多餘的時間來接觸這個島嶼，實為可惜。所以筆者更為嚮往台灣自身的島嶼文化研究，在我踏足島上的每一步，每一個感觸，用自己意識轉化成妖怪奇物，作為內化歷史演變的足跡，以及生存環境的省思。
本創作論文主要架構：
第一章 闡述研究動機來自於自己生命過程所經歷的事件作為創作靈感，多以繪畫來描述、呈現每個時期所經歷的一些事情為目的，在創作中找尋台灣部分地區對於自己所產生的記憶，透過實驗與資料爬梳整理，建立理論架構且進行實踐與探討。
第二章 透過自己在當代藝術中的認識，讓自己面對多元材質有更進一步的的了解，並回饋到水墨創作上的實驗。在經歷作品上的自我改革，更增加了不同材質與理論結合後實踐創作的可能性。
第三章 分析本次研究創作理念與表現手法，從自我經歷、東方繪畫構圖、人物造型內化後的建構方式等作為探討。
第四章 實踐自己內化與被內化後的創作形式，作品以各時期深受影響的思潮進行析論，計有「島嶼人系列」、「記憶溫暖的地方」、「磺天后土」、「斬台刀傳奇」等，合計十餘件綜合性創作，並以圖文並置的方式闡述創作理念及以及作品分析。
第五章 對本次創作研究進行省思，並對未來提出自我創作的發展期許，檢視是否達成創作研究目標，期能做到自我鞭策進而累積未來藝術創作的積極能量。
This paper mainly focuses on the beautiful island that we are born and bred--Taiwan, it talks from the original ocean and land to civilized society nowadays, at the same time, expresses praise and reverence toward the culture shock and civilization that were brought about during this period.Taiwan was a colony that had been owned by many countries, popular culture has also been turned into from the outside world. But for foreign culture, it simply imitate and follow blindly, lacking of deeply cultural reflection and criticism. Facing with the impact of a large amount of information and the capitalism, people's life also be influenced. Many people have no time to contact the island, what a pity.I am more likely to research for the culture of Taiwan island itself. Taking each step that I made, every feeling and my own consciousness into a strange monster, as well as internalizing them of the footprint of historical evolution and the reflection of living environment.
The main structure of this thesis:
Chapter one the introduction: illustrating that the motivation of this research comes from experience in my life course and takes it as creating inspiration. For the purpose of explaining and showing what had been experienced by painting, looking for the memory that generated from parts of Taiwan through creation. through the experimental data and books, To establish a theoretical framework, to practice and discuss according to experiment and sorting data.
Chapter two: through my understanding in contemporary art, so as to let me have further understanding when facing multiple material and providing feedback to the experiment of ink wash creation. After undergoing self reform on works, it also increases the possibility of combining different materials and theories in practical creation.
Chapter three: analyzing the creative ideas and techniques of expression in this research. Discussing from the experience of myself, the composition of the eastern painting, the construction mode after internalizing character model and so on.
Chapter four: putting into practice on creating form after self internalization and internalized by others,the works are analyzed and discussed by thoughts that are influenced greatly during each period, including: "series of islanders", "warm place that existed in memory", "heaven and earth", "the legend of Taiwan", etc. Adding up to ten pieces of comprehensive creation. At the same time, illustrating creating ideas and analyzing works by the way of combining pictures with words.
Chapter five: reflecting from creation and research, then put forward the expectations for future development in self creation, to examine whether I had achieved the creative and researching aim, I hope I can lead myself and accumulate positive energy for artistic creation in future. |
