抽象性繪畫的創作內涵及形式研究

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Please use this identifier to cite or link to this item: https://irlib.pccu.edu.tw/handle/987654321/35689

Title:	抽象性繪畫的創作內涵及形式研究 The Study of drawing creations and the painting performance in Abstract Expressionism
Authors:	鄭伯君
Contributors:	美術學系
Keywords:	抽象表現主義表現形式記憶
Date:	2016
Issue Date:	2017-03-28 10:32:38 (UTC+8)
Abstract:	繪畫藝術需透過創作思維與記憶，經畫家的手掌控畫面才能將所欲描繪的事物之表象，抽離至最簡單的形式，藉以表現出事物的內在本質。也因而藝術家一開始創作並未謀定一種繪畫風格，在經過時間、經驗所累積後才有所感受，且慢慢地衍生出新的繪畫風格。筆者為了更深入地瞭解以抽象作為創作主軸的實際操作過程，以及其特殊的繪畫表現技法。特以幾何造形做為自我創作的出發點，透過繪畫創作的體驗後，藉由不同於一般的抽象創作思維，來探討自我心中的語彙。筆者個人向來喜愛以油畫媒材來進行創作，冀望能此次的抽象於畫作之研究留下深刻且美好的畫作。 The art of painting is to express the essence of the things by stepping back to the simplest form through the creative thought and memory of the artists. Thus, the artisst began to paint without a particular style, then it forms a new style throughout the time and life experiences. In order to know more in-depth knowledge of the geometric abstraction as the main purpose and its process, and its special painting techniques. The author starts to form base on the geometric formation to explore the vocabularies of his mind by the experiences do the artworks to create the patinings. At the same time, he uses his favorite oil paintings skill to create some of impressive and wonderful paintings.
Appears in Collections:	[Department of Fine Arts ] Thesis

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