| 摘要: | 本文目的在於探討泉州地區建築之避邪物。辟涵蓋尺度範圍 在都 市層級 、聚落 尺度 、寺廟的構成建築件到室內擺飾等，由於空間作 為一種人類的心靈建構， 重於探討避邪物在不同空間 層級下 所扮演的角 色，以及建築空間與避邪物兩者共同呈現的意義。
本研究針對中國閩南泉州及周邊地區。由於歷史悠久，除了早期 的漢文化之外， 許多上古時代楚文化崇尚鬼神的信仰亦留存，也因泉州港 是中國古代著名海外交通重要港口之一，民俗宗教皆多元文化並存的狀態，雖然有鑑於文化大革命後傳統與現代觀念的拉扯、空間時變遷等， 藉此 將辟邪物文化進行紀錄與研究。
避邪物的精神意義往透過各種顏色、樣式等外在 形再現，如同本文中，空間視為心靈的一種建構其背後所囊括更有意識形態、宇宙觀、宗教中心思想等擴延表達，所以在靈建構的空間下避邪物必然扮演著人類生活的重要角色並延伸 其意義呈現，本論文藉由這些俱有精 神層面意義的避邪物來與心靈建構做 整體思考 。
本研究採用 「比較建築學 」的研究範式 -「建築為真 建築為真 實的再現 」依此範 示下擬出了 「三種長週期的 再現主題』，以及五三種長週期的 再現主題』，以及五三種長週期的 再現主題』，以及五「短週期再現傳統 」中 的其中三種─ 「世界軸與宇宙十字 世界軸與宇宙十字 」象徵著中心與四向的強化秩序性 象徵著中心與四向的強化秩序性 ；「排 除與納入結構 」主要分辨自身 /他者的區別，守護邊界入口 ；「聖 域與非域」強調空間相對的神聖性。透過 方法論架構，進行避邪物觀察、分析與 比較，將建築作為一種真實的再現在這前提範式下研究避邪物與空間兩者共同交會而成的真實。
This article is mainly focused on the significance of amulets in Quanzhou’s architectural history and the effect it has on people’s lives. Architectural amulets have been revealed in city planning, settlement compositions, temples, architecture and even in interior decorations. Due to the fact that space serves as a construct of the inner soul, this article focuses on the various roles that amulets have played in different spaces, and the profundity of the joining of amulets and architectural spaces.
This study focuses on Minnan, Quanzhuou and the surrounding areas in China. Due to its long standing history, Quanzhou is a conglomeration of influences from early Han culture, early shamanistic beliefs, and local religious practices. Also, since Quanzhou has been an important trading port city throughout Chinese history, it has come to be in a state of diverse cultural immersion. Especially after the turmoil of the Cultural Revolution, the conflicts between traditional and modern values and the changes over time, the amulets have been neglected. Therefore, this research seeks to extract the significance of amulets in study and record.
The spiritual significance of architectural amulets are often expressed through various forms, colors, mediums...etc. Besides serving as the spatial construct of the inner soul, amulets also represent the world views, religious views, social beliefs, and conscience. Therefore, under the spatial construct of the inner soul, amulets play a profound role in extending these beliefs onto people’s lives.
This research is based on the concept of “A comparison of architecture”─ “architecture as a representation of realities”. This study is based on three concepts of the “three long-cycle traditions of architectural representation” and the “five short-cycle traditions of architectural representation” : the “Axis Mundi and the Cosmic Cross” representing the center and the strong order of the four directions; the “Inclusive and Exclusive Structures” differentiating the self and others and identifying the entrance of the guarded zones; and the “Holy and Unholy Zones” emphasizing the sacredness of the spaces. Through exploration of these three concepts, amulets are observed, analyzed, and compared to rearticulate spaces as architecture. |
