| 摘要: | 「藝術反映生活、生活創造藝術」，這是筆者身為藝術工作者所秉持的信念，然而，在持續地鑽研繪畫技巧與描繪能力的提升之下，已不能滿足筆者在繪畫創作上的追求，在接觸到「後立體畫派」(Post-Cubism)的畫論之後，筆者嘗試以其闡述的理念來從事繪畫創作。在自我創作過程中，筆者深刻地體會到結合不同形式的透視法則，竟能讓畫面產生如此大的變化而深受感動，引發筆者在畫作題材的表現上，皆融入些後立體畫派的風格，此種創作方式不僅增加了畫面的韻律感與趣味性，更展現出視覺空間的多元樣貌。
後立體畫派的創立是受到現代繪畫之父－¬塞尚(Paul Cézanne,1839~1906) 的繪畫理論之影響而來的；此外，它亦結合了受到塞尚影響的「立體派」(Cubism)表現技法，以及稍晚出現的「未來主義」(Futurism)之論述，而三畫派之間的差異性，則在於對所表達的物象與畫家之間所處的定位點和時間點有所不同。簡而言之，立體派是「同時間的多視角」，未來主義是「不同時間的單視角」，而後立體畫派則是「不同時間的多視角」。此外，後立體畫派的畫論也涵蓋了東西方的多種透視法則，藝術家可以依據個人的創作思維做交互運用，也因為它不須遵循既有的繪畫原則創作，反而讓後立體畫派的表現更加地自由且不受拘束。
筆者藉由分割、交錯和變形等技法來組織架構畫面，再加上後立體畫派的透視法則，重新建構多重的視覺感受，並將畫派的精髓「中階空間」(Espace Intermédiaire)融會其中，也就是在「虛」、「實」相應的空間中注入時間的元素，再輔以筆者長時間鑽研的繪畫技巧及對畫面精緻性的自我要求，期望能在後立體派畫論的創作過程中，展現出自我的獨特創作風格。
“Art reflects life and life creates art", which is the conviction upheld by the author as an artist. However, under continuous study of painting skills and enhanced ability of depicting, the author is dissatisfied with the pursuit of painting. After contact with the "Post-Cubism" theory, by the idea expounded of which, the author attempts to engage in painting. In the process of self-creation, the author deeply appreciate combining different forms of perspective rules can have such a big change in the picture and is deeply moved, so that the author’s expression on the painting theme integrates into some of the Post-Cubism style. Such creative way not only increases the sense of rhythm and interesting of the picture, but also shows a diverse appearance of visual space.
The establishment of Post-Cubism is influenced by the painting theory of the father of modern painting – Paul Cézanne (1839 ~ 1906). In addition, it also combines the "Cubism" expression techniques, which is influenced by Cézanne, and the "Futurism" discourse appeared later respectively. The differences between the three schools are different physical images expressed, and the place and time where painters are located. In short, Cubism is "multi-viewpoint at same time", Futurism is "single viewpoint at different times," and Post-Cubism is "multi-viewpoint at different times." In addition, Post-Cubism painting theories also cover a variety of East and West perspective rules. Artists can do interactive use based on personal creative thinking, and also because it does not have to follow the principle of the existing painting for creation, instead let Post-Cubism expression more freely and unfettered.
The author organizes and structures the picture by segmentation, interleaving and deformation techniques, coupled with the perspective rules of Post-Cubism, to reconstruct multiple visual experience, and mixes with "Espace Intermédiaire", the essence of the painting school. Namely, the author inputs the time element into the "virtual", "real" corresponding spaces, supplemented by her painting techniques studied for a long time and self-requirement of refined picture. The author expects to show her unique creative style during the Post-Cubism creation process. |
