| 摘要: | 「寫實主義」（Realism）也可譯成「現實主義」，它包含兩種意涵：其一，意指文學藝術的一種基本創作方法，按照本來的樣子去描寫和反映生活周遭的事物；其二，意指19世紀中的文學思潮。然傳統的寫實主義則強調由作者本身的主觀情感創作，而「超現實主義」（Surrealism）則是藉由當今文化環境所引發出的藝術流派。筆者特以德國啟蒙運動藝術史家，溫克爾曼(Johann Joachim Winckelmann，1711~1768)在1764年出版的《古代藝術史》(History of the Art of Antiquity)著作中所強調的：「藝術史的目的在於闡明藝術的起源、發展、演變和衰落，並說明個別民族、個別時代、個別藝術家的不同的風格。」 為例，即是藉由創作者的個人生活經來從事創作研究，繼而表達出自我內心對環境的微物觀察。簡而言之，就是所謂生活創造藝術、藝術反映生活。在本文中
，筆者不但以寫實手法客觀地描寫詮釋「微題材」語彙。更以「極簡主義」（Minimalism）、「普普藝術」（Pop art）風格來描繪不但跳脫傳統寫實畫面既定的構圖模式；此外，亦將畫面空間轉化為抽象符號的幾何場域，使畫面的呈現更具個人風格獨特的化且具藝術性價值的獨特風格。藉以表達出自我內心對生命、生活的感悟
、理解和體驗。筆者的自我創作研究，以「凝視」系列演繹一切脈絡，然「藝術」即是一自然複製或「再現」，所以照相的發明也有助於當代藝術史的繪畫創作，加上照像寫實是科技影響下的視覺「真實」影像，促使現今的照相寫實早已不同於以往鄉土寫實風貌所強調的懷鄉念舊之情，而是一種求真或求實的逐漸轉化，即是從原來的忠於個人對物理界或社會的感知的外在實現，轉變為忠於材質及忠於個人內在強大的主觀情感或想像力。然此繪畫創作概念正暗示了藝術所欲呈現的既是著重於藝術為個體的感知，而不強調藝術的傳統成規。
筆者透過生活經驗及個人的喜好-植栽，結合發展出藝術創作微題材的「凝視」系列，兩邊正是所謂透過創作去發現物件的內在本質甚至表達出自我的創作思維。然而筆者分別深受法國畫家，靜物畫大師：尚•巴普提斯特•夏丹（Jean Baptiste Simeon Chardin，1699~1779）、智利藝術家克勞迪奧•布拉沃（Claudio Bravo，1936-2011）及亨克•哈勒曼特（Henk Helmantel，1945-）的畫風影響，這些繪畫大師均善於在平凡中發現美的事物而表現美，以極精細的觀察力和虔誠的創作態度，鉅細靡遺地描繪出日常生活的一切，其所描繪的樸實無華之靜物，僅是一平凡、寧靜的生活寫照而已。因而筆者在此次的創作中亦以簡單、純粹的繪畫精神添加上自我色彩的情感表現方式賦予畫作新的樣貌，而這創作風貌既是建構扁平的畫面空間經營，以及轉變當代的霓虹色彩，使畫面呈現出更具獨特性樣貌及屬於筆者的自我藝術性價值。
“Realism" contains two implications: First, it refers to a basic creation method involved literary and art, to describe and reflect the living things around according to its original way; second, it means the literary trends of the 19th century. However, traditional realism emphasizes the creation by the author's own subjective feelings. As for "Surrealism", it is a school of art caused by today's cultural environment. I especially take the example of “The purpose of the history of art is to clarify the origin, development, evolution and decline of the art, and explain the different styles of individual people, individual ages, and individual artists,” emphasized in History of the Art of Antiquity, published in 1764, written by Johann Joachim Winckelmann (1711~1768), a German art historian in Enlightenment Movement; That is, by the creator’s personal life to engage in creative research, and then express the micro observation of inner self on the environment. In short, it is so-called life creates art, and art reflects life. In this thesis, the author not only uses realistic approach to objectively describe and interpret the vocabulary of "micro theme", but also uses the styles of "Minimalism", and "Pop Art" to describe the same, escaping the established composition pattern of traditional and realistic picture. In addition, I also transform the picture space into the geometric field of abstract symbol, so that the picture presents a more personal and unique style with artistic value, in order to express the perception, understanding and experience of life from my heart. The author’s self-creation research takes “Gaze” series to interpret all contexts; however, “art” is natural copy or “reproduction”. Therefore, the invention of photography also contributes to painting creation in contemporary art history; moreover, photographic realism is the visual "real" image under the influence of science and technology, causing today’s photorealism already unlike nostalgic feelings emphasized by conventional local realism style, but a gradually truth-seeking transformation, that is, from original external realization which is loyal to individual perception of physics or society, into a loyal to materials or strong personal subjective feelings or imagination. However, what this painting concept implied the art intending to present is focus on individual perception of art.
Through the combination of life experiences and personal preferences - planting, I develop the art micro theme "gaze" series, the micro theme of art creation, and both are so called to find the inherent nature of the object through creative, even to express my creative thinking. However, I am deeply influenced by the styles of French painter, the still life painting master: Jean Baptiste Simeon Chardin (1699 ~ 1779), and Chilean artists Claudio Bravo (1936-2011) and (Henk Helmantel (1945-) respectively. These masters of painting are good at finding beautiful things and expressing beauty in the ordinary, with very fine observation and pious creative attitude, tremendously depicting everything of daily life; the plain still they depicted is just an ordinary, quiet life image. Thus, this time my creation also with a simple, pure spirit of painting, adds the emotional self-expression to give the painting a new appearance. This kind of creative style, not only constructs flattened pictorial space management, but also changes contemporary neon colors, so that the picture shows a more unique appearance and myself own artistic value. |
