尹東柱詩的隱喻探析 －以「鄉愁」與「自我」為中心

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Title:	尹東柱詩的隱喻探析－以「鄉愁」與「自我」為中心 The metaphors Yun, Dong-ju's Poetry on "hometown" and "self-conscious"
Authors:	陳宜嬪
Contributors:	韓國語文學系
Keywords:	尹東柱故鄉自我意識隱喻 Yun, Dong-ju hometown egocentric consciousness metaphor
Date:	2016-06
Issue Date:	2016-08-16 13:17:55 (UTC+8)
Abstract:	尹東柱所有作品中所欲闡述及傳達的意識，以童心意識、思鄉意識、宗教意識、自我的現實意識等四大類型所佔的比重最高，其中又以對思鄉意識及自我現實意識的表現有較多著墨。不過，其作品中的故鄉意識，並非只單純地蘊含對故鄉的美好印象，或描述故鄉的人事物而已。其與一般思鄉詩作最大的不同是，背後引申出的祖國喪失意識及其悲傷情緒，以及由此衍生出的對自我審視所產生的現實性與理想性意念。其詩作中或多或少偏向於某種意識，可從詩人所處的特定年代，與其詩的深度關聯性中窺知一二。　　一般而言，偉大的文學作品幾乎都是反映作家的現實生活，在日帝強佔期的時代背景與離鄉背井的情境下成長的尹東柱當然也不例外。本論文即是以此為基礎，選定詩中闡述的鄉愁及對自我意識的抒發內容為研究剖析範圍。並將範圍訂在尹東柱主要的創作時期，亦即1936年及1941年、1942年。　　從作品的創作時期與類別，可以觀察出尹東柱在不同時期所創作的作品間的明顯差異，在1936年間創作的作品，風格偏向於思鄉之情，包括了對故鄉人事物的描述，或是思念以往生活的時光或場景，著重在對故鄉情誼的著墨。1941、1942年是執筆歲月的另一個高峰，也許是經過停筆期的潛伏、思考過後，對生活產生了不少體悟，此時的作品不避諱的闡述現實，或表達心中的堅定意志，或歌詠對理想世界的憧憬之心。 The poetic conscious in Yun, Dong-ju's poetries could be divided into four parts which are childish consciousness, homesick consciousness, religious consciousness and self-consciousness. In these four consciousnesses on the poems created by Yun, Dong-ju, he put more emphasis on 'homesick consciousness' and 'self reality consciousness'. The homesick consciousness in poetries not only refers to the beautiful image of his hometown or just describing the things and people of hometown, but also refers to the strong emotions of losing homeland and the great sadness feeling. Through those sadness emotions, he pointed out the self-reflections about the idea of reality and ideality. Through the background of poems, we could surmise the meaning of consciousness. 　　Generally, the greatest literary works reflect the reality life of poems themselves, so the poem Yun, Dong-ju isn't not an exception. He had been through Korea under Japanese rule and hadn't live in hometown for a long while so we could find those four consciousness through his poetries. The thesis is focus on them. I focus on analyzing the ' homesick consciousness' and ' self reality consciousness' also focus on the some specific periods of his creativity life which are 1936 year, 1941 year and 1942 year. I found the some different points that Yun, Dong-ju created poems in 1936 year, 1941 year and 1942 year. The poems that were created in 1936 year, those are about homesick and subscribing of people and things of his hometown and the emotional missing of old-day lives. The poems that were created in 1941 year and 1942 year he reached the peak of his career. Maybe it was because he had stopped created for a while and then thinking about life or maybe it was just because he finally realized the meanings of his life, he told about the reality, determined faith and his ideal vision of the world through his poems.
Appears in Collections:	[Department of Korean Language and Literature and Graduate School] thesis

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