| 摘要: | 古斯塔夫.克林姆(Gustav Klimt,1862-1918)維也納分離派 (Vienna Secession)大師,他喜以情愛、生活甚至是生命等題材來入 畫,畫面中除了用幾何形、有機形與多種的花樣符號之外,更搭配 上豐富且浪漫的色彩。克林姆所繪製的畫面有如拜占庭的鑲嵌壁畫, 色彩與光澤的設色,呈現出既浮華又獨特的迷幻風格,而這更增添 了畫作豐富的象徵性意涵。
克林姆的裝飾性繪畫風格,與「分離派」中所倡導的藝術性口 號「生活藝術化,藝術生活化」之間,到底有何關聯性?筆者將在 本論文深入探討他是如何在繪畫、設計、建築和室內設計領域等實 踐此口號,和分析他所運用的繪畫性符號其表現技法。
此外,筆者亦剖析自我創作中的畫作實質內涵;繪畫中慣用的 筆法與符號;以及符號所傳達的意義。當然亦不忽略符號在多元媒 材上應用的可看性,以及如何將其融入畫面空間而賦予作品更深入 的寓意。
Gustav Klimt (1862-1918), the master of Vienna Secession master, was pleased with love, living, even life to be the theme of painting. In addition to the geometric, organic-shaped patterns with a variety of symbols, even with the rich and romantic colors in picture. The picture painted by Klimt is like a Byzantine mosaic mural, the color and the painted gloss of which showing both flashy and unique fantastic style, and which adds wealthy symbolic meaning of paintings.
In the end what is the relevance between Klimt’s decorative painting style, and the artistic slogan "Living art, Artistic life" advocated by "Secession"? The author in this thesis deeply explores how he practiced this slogan in painting, design, architecture, and interior design fields, and analyzes the paintings symbol he used and his performance techniques.
In addition, the author also analyzes the substance of self-created paintings, conventional brushes and symbols used in painting, and the meaning conveyed by symbols. Of course, the author does not ignore the worth watching of symbols applied in multiple mediums, as well as how to integrate which into the picture space giving works a deeper meaning. |
