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    請使用永久網址來引用或連結此文件: https://irlib.pccu.edu.tw/handle/987654321/33632


    題名: 《搶銀行遊戲》舞台劇劇本及其創作理念
    The Creative Process Behind “The Game of Bank Robbing”
    作者: 陳彥嘉
    貢獻者: 戲劇學系
    關鍵詞: 《搶銀行遊戲》
    創作過程
    創作理念
    《詩學》
    佛洛伊德
    “The Game of Bank Robbing”
    creative process
    creative concept
    “Poetics”
    Sigmund Freud
    日期: 2016-06
    上傳時間: 2016-08-16 11:01:16 (UTC+8)
    摘要: 本文分為兩個部分,第一部分為《搶銀行遊戲》創作過程,包含劇情大綱、分場大綱、及完整劇本。劇中以貪為主題,構成搶銀行等犯罪行為,但在陳興的操作下,使計畫出現變數,更導致眾人的悲慘結局。
    第二部分則為《搶銀行遊戲》的創作理念,首先說明創作動機、取材、方法及預期效果。接著將劇中時空、情節、人物、思想、語言等順序做個別論述:時空設定上,以延展型戲劇作為劇本發展。情節編排參照《詩學》的敘述,以完整包含有開始、中間、結束的情節結構來進行創作。人物塑造採用佛洛伊德心理學,以「本我」、「自我」、「超我」的精神分析理論,作為人物性格基礎,並佐以犯罪心理學,說明角色犯罪之原因。而透過劇中的情節、人物等描繪,呈現出筆者有感於資本主義在台灣的發展,使人人追求財富而日益貪婪的主題思想。並以喬治‧貝克的《戲劇技巧》中所提到的對白要素,及其他相關技巧作為劇中語言的書寫方法。
    最後,對於劇本的創作過程及心得做回顧,除了期望能夠搬上舞台,也期望人們在觀劇過後,得到壓力的釋放及心靈的滿足,使本劇不只有學術功用,也有藝術的娛樂價值,並做為日後繼續創作的動力來源。
    This paper is divided into two parts: the first part is the creative process of the script“The Game of Bank Robbing”. It includes the synopsis of whole story and each scene, and the complete script. The main idea of this script is avarice, all the criminal behaviors such as robbing bank are formed through this. Because of Chen Shin’s manipulation, the whole plan changed, and then it leads to the tragic ending of characters.
    The second part is the creative concept of“The Game of Bank Robbing”, it explains the creative motivation, material collecting, writing ways and the expected effect first. Then discuss about the time and space, story, characters, ideology, and the language separately. The way of script is extended type. The story refers to the dissertation of “Poetics”, it includes beginning, intermediate, and the ending. The psycho-analysis of Sigmund Freud, the id, ego, and superego is the main basis of forming characters, then explaining the reason of characters’criminal behavior with criminal psychology. Through the story and characters, it illustrates that now in Taiwan, people become more and greedier because of the development of Capitalism. It also uses the dialogue elements which come from George Pierce Baker’s “Drama Skill” and other relative skills to write the dialogue.
    Reviewing the creative process is in the last. When it became real drama some day, it can satisfy and relax all the audience. Therefore this script can not only have both the worth of scholarship and entertainment, but also being the power to do creative work in the future.
    顯示於類別:[戲劇學系所] 博碩士論文

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