| 摘要: | 藉由音樂素材寫作並創造新音樂音響效果是當代作曲家重要作曲手法及思考的方向之一，筆者亦結合東、西樂器理論與實際運用於2010至2015年之音樂創作中。本文探討個人的創作理念，深究樂器和樂器之間的運用與語法，並對創作曲目加以分析。
五個章節依序如下 : 第一章為緒論，闡述筆者之研究動機、研究目的及研究方法；第二章為創作理念和創作技法；第三章為三首音樂創作《飄》、《映》、《畫 夢》樂曲分析；第四章為四季組曲《望春》、《奔夏》、《秋旅》、《冬思》樂曲分析；第五章為結論。
Creating new music acoustic with different music clips by the composer is one of the important directions of musical compositional techniques and concept in this generation. Writers combined the east and west musical instruments and theory to created the music between 2010~2015. In this paper, the writer discusses personal music creation ideas, and studies the relation in use of musical instruments and musical grammar in between. The created compositions are also analyzed in this paper.
The thesis is divided into five chapters. The first chapter introduces the reason and purpose, investigation method and step of this study. The second chapter discusses the creative concept and techniques. On the third chapter, there are three created musical analysis which are “flutter”,“reflection”,“dream draw”. Chapter four is musical analysis for a four seasons suite, they are “expecting spring”, “running summer”,“traveling autumn”and“silk winter”. The last chapter is the conclusion of this paper. |
