文化大學機構典藏 CCUR:Item 987654321/33544
English  |  正體中文  |  简体中文  |  全文笔数/总笔数 : 47249/51115 (92%)
造访人次 : 14272403      在线人数 : 647
RC Version 6.0 © Powered By DSPACE, MIT. Enhanced by NTU Library IR team.
搜寻范围 查询小技巧:
  • 您可在西文检索词汇前后加上"双引号",以获取较精准的检索结果
  • 若欲以作者姓名搜寻,建议至进阶搜寻限定作者字段,可获得较完整数据
  • 进阶搜寻
    主页登入上传说明关于CCUR管理 到手机版


    jsp.display-item.identifier=請使用永久網址來引用或連結此文件: https://irlib.pccu.edu.tw/handle/987654321/33544


    题名: 鈴木小提琴選曲之右手運弓研究及教學分析
    The Analysis of Bowing and Teaching Strategy of Suzuki Violin School
    作者: 劉雅智
    贡献者: 音樂學系
    关键词: 右手運弓
    Suzuki Violin
    日期: 2016-05
    上传时间: 2016-08-11 13:53:30 (UTC+8)
    摘要: 本研究主要以鈴木小提琴第六至第八冊教材四首選曲模擬右手運弓技巧建構及教學分析。分為六個章節來探討:第一章為緒論,分為四節,主要以研究動機與目的、研究範圍、研究方法、研究內容作為說明。針對以上所敘述曲目的內容包含:
    一、 右手運弓研究:針對鈴木小提琴教材所選出的曲目中,以右手較為困難技巧,加以闡述說明。
    二、 教學分析:以教學分析為基礎並建立在實際演奏上,而後也依據筆者在實際演練過程中,舉例說明演奏此作品須注意的細節做進一步探討。
    第二章至第五章分別針對:
    費歐寇-喬瑟夫《快板》、尚-菲利普·拉莫《嘉禾舞曲》、韓德爾《第一號A大調小提琴奏鳴曲》、艾可斯·亨利《G小調小提琴奏鳴曲》提出教學分析以及演奏詮釋。
    第六章為研究結論與心得,筆者藉由本次的研究,希望對於鈴木小提琴教材選曲能夠在拉奏上更加充實並且融會貫通。針對上述的內容作整體結論。
    The main aim of this dissertation is to study how the Four selected compositions in the advanced volume of Suzuki Methods, including Volume Six to Eight, would enable right-handed string players to manage to overcome the difficulties in the processes of teaching violin.
    The dissertation is structured in six main chapters, including:
    Chapter (1) introduction included four main sections Research Purpose, Research Scope, Research Methodology, Research Content.
    (1) Analyzing the critical skills from the selected compositions in the advanced volume of Suzuki Methods, addressing the possible solutions for the right handed or left handed players.
    (2) Case Study, by presenting the Performance interpretations, detailed analysis of the appropriate ways of applications for performance in actual performances.
    Chapter (2) to Chapter (5) will focous separately on J.-H. Fiocco Allegro, J.PH. Rameau Gavotte, G.F. Handel Violin Sonata No.1 in A Major, H. Eccles Sonata in G Minor, teaching analysis and terpretation into performance.
    Chapter (6) conclusion I conclude by offering recommendations and learning approaches as to how to better teach versatility on the basis of the findings of the previous chapters as well as the selected compositions in the advanced volume of Suzuki Methods.
    显示于类别:[音樂學系所] 博碩士論文

    文件中的档案:

    档案 描述 大小格式浏览次数
    index.html0KbHTML333检视/开启


    在CCUR中所有的数据项都受到原著作权保护.


    DSpace Software Copyright © 2002-2004  MIT &  Hewlett-Packard  /   Enhanced by   NTU Library IR team Copyright ©   - 回馈