《洄瀾音詩》與《馬蘭姑娘》之分析與詮釋

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Title:	《洄瀾音詩》與《馬蘭姑娘》之分析與詮釋 An analysis and interpretation of HueiLanYinShih and MaLanGuNiang
Authors:	王湘瑜
Contributors:	中國音樂學系
Keywords:	笛簫洄瀾音詩馬蘭姑娘黃新財陳中申原住民音樂 Bamboo flute xiao HueiLan Yin Shih Ma LanGuNiang Shin-Tsai , Huang Zhong-Shen, Chen Aboriginal music
Date:	2016-05
Issue Date:	2016-08-11 13:49:11 (UTC+8)
Abstract:	《洄瀾音詩》與《馬蘭姑娘》兩首的創作取材都來自於台灣原住民音樂的素材；前者取材於阿美族音樂的歡樂歌以及卑南族的美麗的稻穗改編而成，後者則是取材於阿美族民謠馬蘭姑娘改編而成的簫曲，兩首皆富有濃郁的民族音樂。《洄瀾音詩》是黃新財為笛子所寫的協奏曲，透過四把不同調高的笛子，分別為C調小笛、A 調梆笛、G調梆笛、D調曲笛，結合豐富多變的樂隊音色，描繪時而輕盈，時而渾厚雄偉的奇妙音詩；另一首《馬蘭姑娘》則是陳中申應全國音樂主辦單位委託所創作的一首為簫比賽所的曲子。筆者將於本文中對兩首以台灣原住民音樂元素所創作的笛簫獨奏曲作一整理，包含其所屬族群文化、作曲家背景、作曲手法、樂曲背景、樂曲內容、樂曲分析和演奏詮釋等，並透過與作曲家訪談進行本文相關內容的深度探討。 “HueiLan Yin Shih” and “Ma LanGuNiang”- those songs are from Formosa that based on the materials of aboriginal music, including “Huan Le ge”, “Mei Li De DauSuei”, “Ma LanGuNiang”from Ami and “Mei Li De DauSuei” from Bei Nan. Those songs have full of ethnic music, “HueiLan Yin Shih” is Bamboo flute concerto by Shin-Tsai, Huang. “HueiLan Yin Shih” is based on four different tone of Bamboo flute, including C, D, A, G tone to present the concerto of dramatic tension. “HueiLan Yin Shih” shows Aboriginal culture that the annual festival is importance for aboriginal, also depicts the most of simple restrained and demonstrates the vitality of the music of love. Another one - “Ma LanGuNiang” which is the concerto present by the xiao by Zhong-Shen, Chen in 2009. The author went to discuss about the Bamboo flute/ xiao to translate that two solo for imagery presentation, including ethnic culture, background, composer techniques, music content, music analysis and interpretation and so on, and also interview with composer who written the concerto.
Appears in Collections:	[Department of Chinese Music ] Thesis

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