| 摘要: | 一般的傳統藝術分類有「八大藝術」，筆者想以繪畫、舞蹈結合，藉由動靜之間彼此作為連結，以求完整藝術形式的新的呈現。換句話說，也就是尋求人與人之間的相處和溝通除了透過言語以外，應該有更寬廣的表達方式：而舞蹈就是一種超乎語言之外，像是模仿語言和動作，又隨著身體律動而可以傳達內在的感覺者。根據筆者長期對舞蹈的投入觀察，舞者隨著舞蹈的美感還有情感的投入，以及表現主題的身體詮釋所延伸的語彙和身體意象，由此再拓展到與觀賞者的視覺互動，進而觸動心靈深處，才有了深層的感動，而這種感動幾乎應驗英國哲學詩人濟慈所說的：「只有美才能通往永恆」本文援以此為探索範疇，據此，試以國標拉丁舞碼之雙人舞的情感詮釋，並將其與繪畫藝術結合作為研究的課題。
本研究主要以舞蹈情感知詮釋和繪畫關係作為研究對象。茲就研究方向分為四章，第一章緒論，主要探討舞者情感與繪畫情感的聯繫，轉化其中美的知性與感性，透過作品轉化意象，以及向內投射原來只是封存於舞台上的舞者，轉化成內心熱情的反照，又向外凝聚於畫布中，將豐沛的感情與繪畫的能量兩相結合。第二章雙人舞情感與創作的關係，主要探討舞蹈之美以及情感上有極大的牽引，到底舞者所感受到的情感是如何引發的？舞者情緒感受上又怎樣詮釋喜、怒、哀、樂、思、憂、恐、驚等情緒。第三章為創作之內容與形式分析的主要論述。第四章作品解析。第五章為結論，反思雙人舞視覺感官的享受及其中的藝術精神，並由此闡明筆者對藝術的新見解。
Generally speaking, there are eight main categories in traditional arts. The author combines uses a combination of drawing and with dancing, through the crossroads of steadiness and movement, to try to present a complete and new art formthrough the interactionbetween steadiness and movement. In other words, the author believes that other than through language, there should be a broader way for people to interact and communicate with each other than just language. Dancing is an action that take after imitation of words, but more then words itself. By the rhyhm of the body, one can express their internal feelings. According to the author’s long observation of on dancing,the dancer interact with the audience through their beautiful movements and dedicating emotions, and also with their body’sinterpretation of the theme which extends descriptions and images. These interactions touches the audiences’ hearts deeply.These heart-touching interactions realize mirror the famous quote of the British philosophy poet, John Keats, which says: “A thing of beauty is a joy forever.”Thisstudy is builded around this idea, and choseinterpreted emotions of International Standard Latin dance, with the combination of artistic drawings as the main research subject.
This study is mainly about the interactions between emotionsinterpreted through dancing, and artistic drawings. The research article is divided into four chapters. The first chapter is basic description of the subjects, which is focused on the relations between emotions of dancers and emotions while drawing. Through the artwork, the artists transform the intellectual part and the sensible part of the aesthetic within. The dancers project the hot passion within themselves through dancing, and these passion rays splash on the canvas, and transform into an artistic drawing, through the observation of the drawing artist. By combining the dancers’ rich emotions and the energy of artistic drawing, the artwork will generate a variety of images. The second chapter is the relation between dancers’ emotions and the artwork creation. The beauty of dance is very much related to sentiments. How do the dancers generate the feelings that they have while they are dancing? And how do they portray different kinds of emotions? The third chapter is the study about the artwork material and the analysis of the form. The four chapters is work analysis. And the final chapter is the conclusion, which is a review of the visual entertainment of the Latin dance, and the artistic sprit within. And from the results, the author explains the new understanding she gain through this study. |
