巴赫《C小調第二號組曲》BWV826、貝多芬鋼琴奏鳴曲作品31-2《暴風雨》之分析與詮釋探討

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Title:	巴赫《C小調第二號組曲》BWV826、貝多芬鋼琴奏鳴曲作品31-2《暴風雨》之分析與詮釋探討 An Analytical and Interpretational Study of J.S. Bach’s Partita No. 2 in C Minor BWV 826 and L. v. Beethoven’s Piano Sonata No.17 in D Minor Op. 31 No.2 “Tempest”
Authors:	林恩
Contributors:	音樂學系
Keywords:	貝多芬鋼琴奏鳴曲 J.S.巴赫《C小調第二號組曲》《暴風雨》 Johann Sebastian Bach Partita Ludwig van Beethoven “Tempest”
Date:	2016
Issue Date:	2016-02-24 11:23:29 (UTC+8)
Abstract:	本論文將以J.S.巴赫(Johann Sebastian Bach, 1865-1750)《C小調第二號組曲》BWV826與貝多芬(Ludwig van Beethoven, 1770-1827)鋼琴奏鳴曲作品31-2《暴風雨》為研究對象，共分為四章節進行。第一章為緒論，內容包含研究動機與目的以及研究範圍與方法。第二章為巴赫《C小調第二號組曲》BWV826之創作背景、樂曲分析與演奏詮釋。第三章為貝多芬鋼琴奏鳴曲作品31-2《暴風雨》之創作背景、樂曲分析與演奏詮釋。第四章為結論，綜合各章節的整理，經過整理歸納，為本論文作總結。 This study will focus on J.S. Bach’s Partita No. 2 in C Minor BWV 826 and L. v. Beethoven’s Piano Sonata No.17 in D Minor, Op.31 No.2, “Tempest”. It consists of four chapters. The first chapter is an introduction. It includes the research motivation and purpose, scope of studies and methods. The second chapter discusses about J.S. Bach’s compositional background and analysis and interpretation of Bach’s Partita No. 2 in C Minor BWV 826. The third chapter discusses about Beethoven’s compositional background and analysis and interpretation of Piano Sonata No.17 in D Minor Op. 31 No.2 “Tempest”. The fifth chapter is a final conclusion of this study and with a commentary.
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