文化大學機構典藏 CCUR:Item 987654321/32029
English  |  正體中文  |  简体中文  |  全文笔数/总笔数 : 46965/50831 (92%)
造访人次 : 12651867      在线人数 : 575
RC Version 6.0 © Powered By DSPACE, MIT. Enhanced by NTU Library IR team.
搜寻范围 查询小技巧:
  • 您可在西文检索词汇前后加上"双引号",以获取较精准的检索结果
  • 若欲以作者姓名搜寻,建议至进阶搜寻限定作者字段,可获得较完整数据
  • 进阶搜寻
    主页登入上传说明关于CCUR管理 到手机版


    jsp.display-item.identifier=請使用永久網址來引用或連結此文件: https://irlib.pccu.edu.tw/handle/987654321/32029


    题名: 論印象派繪畫的自然光影運用法則
    On the Use Rules of Impressionism Painting’s Natural Light & Shadow
    作者: 郭筱翎
    贡献者: 美術學系
    关键词: 印象派
    光影
    光線
    色彩
    繪畫風格
    Impressionism
    light
    life and shadow
    color
    painting style
    日期: 2016
    上传时间: 2016-02-24 11:10:49 (UTC+8)
    摘要: 「印象派」產生之前,西洋的具體寫實繪畫風格在整體外在表現上,已有了令人嘆為觀止的地步;西洋繪畫的領域發展已達到登峰造極的境界,我們很難想像還有多少空間可以發揮?但印象派的出現,卻又峰迴路轉地將西洋繪畫藝術的寬度與廣度推得更高、更遠,甚至影響到「後印象派」對它修正,以及到目前為止印象派對現代繪畫都還具有極大的影響力。
      印象派繪畫的創作形式,是美術院校繪畫專業訓練的必修重要課程之一,也是從事美術領域創作者,重要繪畫技巧的積累過程。簡而言之印象派是創作者運用視覺角度觀察自然光源的一種真實自我感受,畫家面對物象進行創作與描繪時,除了將現場景物當下所呈現的光影進行繪畫之外,亦會把自己的外在視野角度去蕪存菁,加上自我催化內在情感,轉化成為躍然在畫布上的作品,因此雖是同一景物,每張畫面表達卻會因不同時間光線投射,使作品呈現光影與色彩的各個不同表現形式。
      本文意在探索印象派,那樣色彩斑爛的藝術創作表現風格;捕捉時間停格的剎那瞬間美感,以及一般人對大自然產生讚嘆、景仰的繪畫風格探討。
    “Before the "Impressionism" generated, the western realistic painting style in overall external appearance has been a breathtaking proportion. As the Western painting area has developed to a pinnacle realm, it is difficult to imagine how much space to play? However, the emergence of Impressionism took a dramatic turn pushing the Western painting width and breadth higher, farther, and even affected and amended the "Post-Impressionism", and so far Impressionism still has a great influence on modern painting.
      Impressionism painting creative form is one of the compulsory and important courses of painting professional training in art institutions, but also an accumulation process of important painting techniques for creators in the field of art. In short, Impressionism is the creator’s true self-perception, when he/she observes natural light source with visual angle. When painters facing the objects and scene to conduct creation and drawing, in addition to painting the life and shadow rendered in current scenes, also will purify their external viewing angle, plus self-catalytic inner feelings, vividly transforming into the works on canvas. So though it is the same scene, each picture expression will render different forms of shadow and color with varied light projection over time.
      This thesis intends to explore Impressionism, such a painting style with colorful artistic performance, the instant beauty of stop-motion in capturing time moment, and most people’s praise and admiration on nature.
    显示于类别:[美術學系所] 博碩士論文

    文件中的档案:

    档案 描述 大小格式浏览次数
    index.html0KbHTML305检视/开启


    在CCUR中所有的数据项都受到原著作权保护.


    DSpace Software Copyright © 2002-2004  MIT &  Hewlett-Packard  /   Enhanced by   NTU Library IR team Copyright ©   - 回馈