超現實主義在藝術上大多以探索潛意識為主,並利用生與死、過去和未來等主題結合拓印法、黏貼法、自動性技法等來呈現另一種真實世界與超現實的衝突感,以表達對於社會的幽默。本研究藉由超現實主義的風格方向進而討論研究超現實主義之潛意識女性幻想。針對受傳統制約約束下,無法自由且自主表達自己對愛情想法的女性,運用潛意識的夢境投射與動物間的親密的行為作為創作題材,表達筆者探討女性對於愛情自主權的無聲抗議,故將畫布作為提供一個心靈被壓抑所能接觸的角落。
由於現代社會壓力逐漸攀升,人們對於愛情的限制需求提升。故本研究除了利用超現實主義描繪出女性在潛意識夢境中的突變,並比照佛洛伊德的心理分析理論進行研究與解析。筆者本身也是女性,站在相同角度受到女性主義理論影響,從追求平權平等的愛情觀角度,將女性其內心深處對愛情自由的自我憧憬,藉由心裡學對夢的潛意識投射在實體愛情鳥來取代虛擬的感受並將其放大且注入到作品中。
Surrealism in the painting arts is mostly to explore those from the subconscious, and they also take the themes on both the life-vs-death and the past-rs-future and with the methods of Frottage, Collage and Automatic writing, etc. to come out another conflict between the real and surreal worlds in an attempt to show a sense of humor to the society. The study with the surrealist style and then discuss the research on women’s subconscious dream world of surrealism, the study is to research the art creations derived from the suffering of women who are restricted by the traditional constraints, and are unable to express themselves freely and autonomously on love ideas, by way of the intimate behavior between subconscious dream projection and animals as an inspiration to show its expression of love for the women of autonomy with silent protests, so the art paintings are taken as a spiritual safe corner to comfort the depressed soul.
Due to the pressure of modern society being up-rising, the criterion for love has been enhanced. Therefore, in addition to the use of surrealism for depicting subconscious mutations in the dream of women, the study also analyzes them with Freud's psychoanalytic theory. The author, who itself has also been influenced by feminist theory, pursues the goal of equality perspective of affirmative concept of love by the subconscious psychology of dreams projected to replace the virtual entity of lovebird feelings and it is amplified and injected into the works.