笛曲《陝北四章》之探討

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Title:	笛曲《陝北四章》之探討 Investigation and Discussion of Dizi Piece: Shan-Bei-Si-Zhang (Four Movements of Shanbei)
Authors:	王柔穰 Wang, Jou-Jang
Contributors:	中國音樂學系
Keywords:	二人台信天遊秦腔程大兆 Errentai Xintianyu Qinqiang Da-zhao Cheng
Date:	2015-12-22
Issue Date:	2016-01-27 11:12:01 (UTC+8)
Abstract:	笛子的現代曲目琳瑯滿目，筆者於諸多樂曲其中挑選一首最喜愛的樂曲來做深入探討與研究，以程大兆《陝北四章》為例。這首曲目使用了陝西的地方音樂素材來創作，是包括二人台、信天遊及秦腔創作而成的笛子現代創作曲，樂曲使用豐富的笛子演奏技巧，充分表現出作曲家創作的音樂思維，以及笛子特殊的音色。「二人台」是流傳在中國西北及蒙古地區的小戲劇種；「信天遊」是流傳在中國陝西地區的一種民歌形式；「秦腔」是中國古老的四大聲腔之一。中國的器樂曲深受戲曲音樂影響，故本文將二人台、信天遊、秦腔這三個流行於陝西的曲藝進行資料整理，包含歷史、地理、音樂特色等，並從中去進一步認識以陝西風格為創作元素的笛子樂曲－《陝北四章》，最後以樂曲分析與詮釋對樂曲及個人演奏上做完整的論述。 Dizi has various kinds of pieces in modern times. In lots of pieces, the author picks out the piece which is my favorite for investigation, discussion and research in depth , For example,” Four Movements of Shanbei “ is composed by Dazhao Cheng. The piece finds a use for the local musical materials of Shanxi .It’s modern creation of the piece about Dizi including“Errentai”, ”Xintianyou” and “Qinqiang Opera”. It makes use of the plentiful skills of Dizi and shows completely the musical thinking from the composer, as well as the special tone of the Dizi. “Errentai” is a regional music drama popular in north and northwest China provinces and Mongolia. “Xintianyou” is a kind of folk song which is very popular in the northern Shanxi Province. “Qinqiang Opera” is one of the “Four Great Characteristic Melodies” (in Chinese opera are Bangziqiang, Huangpiqiang, Kunqiang and Gaoqiang) in ancient China. Chinese pieces deeply influence Chinese opera. Therefore, the article makes a data compilation about“Errentai”,”Xintianyou” and “Qinqiang Opera”, which are very popular among people in Shanxi. This paper contains a lot of history, geography and musical features, etc. As aforementioned, we can have deeper understanding about the Dizi piece which was named ”Four Movements of Shanbei”.It is made up of the melodies with Shanxi folk element. In conclusion, analysis and explanation of musical composition discourses completely for the piece and my personal musical performance.
Appears in Collections:	[Department of Chinese Music ] Thesis

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