| 摘要: | 鐘泉波為臺灣國樂揚琴界中相當重要的推手，他身兼作曲家、揚琴演奏家及教育家等多職，一生致力推廣國樂，在揚琴音樂的創作上，有許多獨奏及協奏等作品，也因本身為揚琴演奏家與作曲家的雙重身分，對於揚琴的音色技巧與特色有更深入的了解，因此創作時能夠更深入的掌握揚琴樂器的技法及特有技巧，進而創作出具有獨特風格的揚琴作品。
本研究以鐘泉波於2003年改編完成的揚琴獨奏曲《遙思隨想曲》、2004年創作的《花之戀》與2006年《蝴蝶引》為研究對象，透過分析詮釋樂曲，進而了解作曲者所傳遞出的審美觀及思想，鐘泉波在每首創作樂曲中，旋律占有重要地位，作品中喜歡用兩聲部反竹及撥弦，讓揚琴在音色上表現帶來新意，兩聲部旋律交織、雙音的輪音、八度大跳、節奏變化，呈現音樂內在特性，賦予多層次的音響效果，提高揚琴作品表現力，是鐘老師揚琴作品創作個人特色。本文透過分析此作品的內涵及創作手法，最後以實際演出詮釋樂曲，與作品的分析相結合，與所有喜愛揚琴樂曲的人分享，更期望能透過此研究推廣其作品。
Chung Chuan-Po is one of the major planners of classical Chinese music of Taiwan. Being a composer, Yangqin musician, director and educator in one, he has devoted his life to popularizing Chinese music. With Yangqin music production, he has had many solo and concerto works. Because of his career path he knows Yangqin’s timbre technique very well. And because of that, he can give priority to the most important aspects of Yangqin and creative lots of unique style Yangqin work. He is able to feature the most important aspects of Yangqin with his works, which also helps to make his works unique.
To analyze and interpret Yangqin songs “Yao Si Capriccioso” (2003), “Love of Flowers” (2004), “The Butterfly” (2006), by Chung Chuan-Po , we can then understand what the composer wants to tell as well as his aesthetic. Every song written by Chung has the Melody Occupied an important role. These pieces are performed by using some special techniques, such as rotate back words the Yangqin bamboo stick to play the melody, plug strings, tremolo, crossing octave, rhythm changes, showing the intrinsic properties of music, giving multi-layered sound, expressive works to improve the dulcimer, and expressing the personal characteristics of creative works. And he has also advanced a new theory “chromatic scale” when playing Yangqin. Through the analysis of his works and writing method, which benefit the performance of Yangqin music, will enable people to appreciate not only Chung's works and Yangqin music. |
