文化大學機構典藏 CCUR:Item 987654321/30308
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    CCUR > College of Arts > Department of Music  > Thesis >  Item 987654321/30308


    Please use this identifier to cite or link to this item: https://irlib.pccu.edu.tw/handle/987654321/30308


    Title: 歌唱藝術中咬字與聲腔技巧之運用-以張衍瑜獨唱畢業音樂會曲目為例
    Application of Diction and Tune Techniques in Vocal Arts-A Case Study of the Solo Concert Repertoire of Chang Yen-Yu
    Authors: 張衍瑜
    Chang, Yen-Yu
    Contributors: 音樂學系中國音樂組
    Keywords: 歌唱藝術
    咬字
    聲腔技巧
    vocal arts
    diction
    tune techniques
    Date: 2015
    Issue Date: 2015-08-19 14:40:47 (UTC+8)
    Abstract: 聲樂是藝術與思想融合的一門學問,聲樂藝術更是音樂、文學、語言、社會人文之間的綜合藝術,藉著聲樂藝術表達人與人之間、人與大自然之間的情感,本文重點講述歌唱藝術中的咬字與聲腔技巧的運用,且運用這些發聲器官、共鳴腔結合,並將歌曲中思想情感、意境表現出來,讓演唱能力上能夠提升。
    本文以歌唱藝術中咬字與聲腔技巧之運用為研究方向,並將研究分析後所獲得的歌唱技巧,以及八首中文歌曲加以運用在本研究範圍內。研究內容包含:(一)發聲器官的概述、器官之間的關聯性以及如何運用這些器官;(二)歌唱藝術中咬字中的四呼、五音種類與字頭、字腹之關係以及十三轍與字尾收韻之關係並以譜例加以陳述;(三)中國歌劇選曲、中國古曲各選兩首之歌曲曲式分析與演唱詮釋;(四)中國民歌、中國藝術歌曲各選兩首之歌曲曲式分析與演唱詮釋。
    筆者期望透過本次研究,在歌唱藝術上能夠將技巧、咬字、詮釋運用更為正確,並將良好的歌唱藝術與聲腔技巧運用得宜,同時也能提供愛好歌唱藝術者相關知識做為參考。
    Vocal Music is the fusion of art and thought. It is a comprehensive art that involves music, literature, language, and social culture and expresses the sentiments of a person’s interaction with another or with Mother Nature through the vocal music art. The primary concern of this paper is to discuss the application of diction and tune techniques in vocal arts and proper control of the vocal organs and resonance cavity to express the thoughts, sentiments, and artistic concepts of a song for the enhancement of musical rendition.

    The paper mainly focused on the application of diction and tune techniques in vocal arts and applied the vocal techniques obtained from the study and analysis and the eight Chinese songs to the study. The scope of the study includes the following: (1) An introduction of the vocal organs and the correlation and utilization of these organs; (2) A description of the correlation between the four groups of vowels and five phonemes of diction and the first and middle characters in the vocal arts, the correlation between the thirteen rhymes and final-character ending rhyme, and the use of music score format for clarity; (3) An analysis of the musical form and interpretation of a selection of two Chinese opera songs and two Chinese classical songs; and (4) An analysis of the musical form and interpretation of a selection of two Chinese folk songs and Chinese art songs.

    The author hopes to obtain a more accurate utilization of skills, diction, and interpretation in terms of vocal arts through this study and to be able to properly employ fine vocal arts and tune techniques. The author also hopes to provide vocal arts enthusiasts with a reference for better knowledge of the field.
    Appears in Collections:[Department of Music ] Thesis

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