「自由監牢」 ─影像配樂創作理念與作品分析

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Title:	「自由監牢」 ─影像配樂創作理念與作品分析 ─My Creative Concepts and Analysis of the Film Soundtrack
Authors:	林孟萱 Lin, Meng-Hsuan
Contributors:	音樂學系西洋音樂組
Keywords:	影像配樂編曲多媒體音樂 Soundtrack Multimedia music Film scoring
Date:	2015-06
Issue Date:	2015-08-18 14:26:29 (UTC+8)
Abstract:	本文旨為討論此次影展之背景音樂曲目創作背景、創作理念以及使用手法；首先在緒論中闡述筆者的創作背景以及理念，並提出相關文獻以探討所應用之技巧及理論，由於本次皆為影片配樂類型的作品，因此在緒論先就「影像與音樂的關聯」表述筆者的看法及處理手法，再於下個章節之中個別討論此次配樂作品。在第二章中筆者先就本次影展配樂使用之編曲軟體介紹並討論軟體使用上之技巧，再分節詳細敘述各作品個別創作理念以及使用到的編曲手法，本次進行配樂的三部影像作品依序為《我們沒有夢想》、《Ripple》及《愛無名》，由於影片講述的故事皆不同，因此筆者廣泛使用了許多不同的樂曲風格以表現影片所需之情緒。筆者並在最後一章提出了本文之結論，討論以此軟體及創作手法得到之音響效果是否達到預期效果，並就此次影展之影像配樂經驗提出個人心得。 The purpose of this article was to discuss the design concept and creation approach of the background music in Freedom Jail Film Festival. Firstly, the introduction mentioned about the author’s design background and concept, and referred to the related document to probe its applied skill and theory. Because those works are of the type of soundtrack work, the introduction firstly stated the author's perspectives and applied techniques on “relationship between image and music”. In next chapter, the author introduced the used arrangement software and its practical techniques and discussed details of every work of music in separately section as following: “Mirager”, “Ripple”, “In Between”. Owing to the diversity topic of different film, the author used a variety of music style to suit the needed emotions. In the last chapter, the author mentioned the conclusion of the article for examining whether the applied software and creating techniques achieve the expected result. In addition, by this experience of film festival, the author brought out the personal experience.
Appears in Collections:	[Department of Music ] Thesis

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