| 摘要: | 布拉姆斯(Johannes Brahms, 1833-1897)是一位熱愛民族文化、追求古典精神之作曲家，在他的作品中，從調性、結構及主題的發展都可看出布拉姆斯深受古典時期音樂之影響。
布拉姆斯的創作生涯中，有許多膾炙人口的鋼琴作品、室內樂及交響樂，而一生中其實也創作了很多大提琴奏鳴曲，但大部分的作品都被布拉姆斯自己銷毀。現今留下來的只剩下《e小調大提琴奏鳴曲》，作品38與《F大調大提琴奏鳴曲》，作品99兩首。
本論文所探討的是布拉姆斯的《e小調大提琴奏鳴曲》，作品38之音樂分析與演奏詮釋，共分為五章：第一章為緒論，表述筆者對此作品之研究動機與目的、並闡述研究之方法，第二章為創作背景，藉由研究此曲創作背景來探索布拉姆斯在浪漫時期的創作風格與歷程，第三章樂曲分析以結合相關文獻、專書，來探討各樂章之間的結構與其創作手法。第四章為演奏詮釋與個人見解，筆者藉由前章分析音樂創作手法，來延續探討各樂章之詮釋想法。第五章則為結語，綜理筆者所作之研究與成果。
Johannes Brahms(1833 - 1897), was a composer who was enthusiastic about the German culture and devoting himself to pursuit the spirit of the classical period. We can find the influence of the classical music in his compositions in terms of tonality, structure and the thematic development.
Johannes Brahms had composed many popular piano pieces, chamber music, and symphonies throughout his life time. He also wrote many sonatas for cello and piano. But most of them were not preserved by the composer. And nowadays there are only two works left, which are ”Sonata for cello and piano in e minor Op. 38”, and “Sonata for cello and piano in F major Op. 99”.
In this Thesis, we are going to talk about the analytical aspect and performance practice of the ”Sonata for cello and piano in e minor Op. 38”. There are five chapters in this thesis. Chapter I is the Introduction, talking about the purpose and motivation of writing about this piece, and the methodology as well. And Chapter II is talking about the background of this piece and also illustrating his style in the romantic period. Chapter III is talking about the structural aspect and also the composition technique. Chapter IV is talking about performance practice, by analyzing the way how Brahms composed in order to elaborate author’s personal though on music making. Chapter V is the conclusion which concludes all the research about this masterpiece. |
